• continuation of chapter 1.1
    This is where the tragedy deepens into a full-blown farce. The very thing he fights—the emotion—is just a faithful messenger, a postman delivering news of what he already believes. He treats the messenger as the enemy, beats him up, throws him into the street, while refusing to read the letter. “How dare you bring me this feeling of reluctance!” he cries, as the postman, now a bruised but still very present emotion, sighs and says, “Sir, I’m just doing my job. Take it up with the author.” The Apostle Paul once said, “The mind governed by the flesh is death, but the mind governed by the Spirit is life and peace” (Romans 8:6). Notice he didn’t say, “Beat the flesh-mind with a stick until it learns to behave.” He spoke of a whole new governing. But we prefer a hostile takeover of the post office. We’d rather wrestle the mailman to the ground and demand he bring us different letters while we refuse to change the address the letters are coming from.

    ‎And because his efforts to defeat the emotion always, always fail in the long run (for a wrong belief will never, ever yield a lasting right feeling), he becomes thoroughly exhausted. And from this exhaustion he draws a devastating conclusion, as if he has discovered some profound truth: “Righteousness itself is a burden. The spiritual life is nothing but a soul-crushing war against my own inner resistance. God is hard, and I am a failure.” That conclusion becomes a shiny new piece of false knowledge, producing even darker emotions, and the cycle tightens its grip, like a snake charmer who’s charmed himself. It’s a self-perpetuating carnival ride: you pay admission with your peace, the ride spins you until you’re nauseous, and when you vomit, the ride operator yells, “See! That’s proof you’re not holy enough! Here’s a mop, and by the way, the next spin starts in five minutes.” The ticket booth is your own false belief, and you keep buying the season pass.

    ‎But here is the most confusing and tragic knot of all: when sound knowledge is offered to him—when someone gently says, “My friend, your view of God is a bad caricature; the truth is that He is a Father who already, right now, delights in you, and righteous living is simply your natural, joyful response to that love, not a bribe to get it”—man often refuses it. Why? Because he has become so identified with his emotional struggle that he mistakes it for spiritual seriousness. He has been fighting the emotion for so long that he believes the fight itself is righteousness. He’s become a kind of spiritual hypochondriac who thinks his constant pain is proof of his sensitivity. To abandon the fight and accept a new view feels not like liberation, but like surrender, like letting go of his “conscientiousness.” He mistakes his spiritual exhaustion for piety. He rigidly refuses the very knowledge that would set him free, because he has confused the war against the symptom with the actual work. He now believes in his emotional exhaustion as proof of his devotion, like a man who thinks the noise the engine makes is what makes the car go. And if you suggest otherwise, he’ll quote Scripture to defend his misery: “I discipline my body and bring it into subjection” (1 Corinthians 9:27) becomes “I beat up my emotions daily and call it apostleship.” Paul was talking about self-control, not self-flagellation with a cat-o'-nine-tails made of guilt. But the misquoter stands there, whip in hand, proud of his welts, awaiting a martyr’s crown.

    ‎So the confusion is a multi-layered cake of bewilderment:

    ‎1. Wrong knowledge produces a painful emotion (the projector’s running a bad film).
    ‎2. Then man perceives the emotion as the primary problem (he tries to fix the screen).
    ‎3. He attacks the emotion instead of exchanging the knowledge (he starts scrubbing the screen with a wire brush).
    ‎4. When his attack fails, he blames himself or God, generating new false knowledge (“The projector hates me.”).
    ‎5. He then defends his struggle as righteous, rejecting any truth that would dismantle his agonizing framework (“Don’t you dare touch my wire brush! This is holy work!”).

    ‎He ends up fighting the very belief he has not changed, all the while thinking he is fighting the right opponent—his emotion. Yet the emotion, in its very making, is nothing but the living shape of what he believes. It is not the problem to be solved; it is the faithful echo of a false premise. The wisest man who ever lived put it this way: “Guard your heart, for everything you do flows from it” (Proverbs 4:23). The heart in Hebrew thought includes the mind, the inner knowing. Guard that. But we’ve turned “guard your heart” into “patrol your feelings like a prison warden and shoot any inmate who looks suspicious.” The original advice was about planting a good tree; we made it about beating up the bad fruit with a baseball bat.

    ‎Years ago, when I was a focus pastor at a campus, a young man came to me with a dilemma so perfectly tragicomical that it nearly stopped my watch. He wanted to overcome lust. His specific problem was that he could not withstand having an erection in front of a beautiful woman. He saw this natural, biological response not as a bodily event, but as a personal betrayal of cosmic proportions. He had, in his mind, already been enlisted in a war against the devil, and his own body was, apparently, a double agent. His proposed solutions were, shall we say, drastic. He was of a view either to have his penis cut off, or to remove the neural centers that generate a response that causes the erection—a sort of internal scorched-earth policy, all in order to satisfy God and escape sin. He was ready to amputate the messenger. Now, he was practically quoting Jesus, though he didn’t realize the irony: “If your right hand causes you to sin, cut it off and throw it away” (Matthew 5:30). But Jesus was using holy hyperbole to deal with sin radically, not handing out surgical consent forms. If you take that verse as a literal amputation manual, you’ll end up as a disembodied stump within a month, and still sinning—because last I checked, you can sin in your thoughts with no hands at all. The only thing worse than a lustful thought is a lustful thought in a body with no parts left to express it, just a torso with a dirty mind. That’s not holiness; that’s a medical oddity.

    ‎So I asked, with a straight face, “Well, while we’re at it, why not remove your eyes? Or maybe we could just hide you in a cave far, far away, where you can’t ever see a female again. We could airlift in supplies. You’d be completely, perfectly holy—and utterly alone, but hey, no more erections! You could start a new monastic order: the Order of the Perpetually Safe and Extremely Lone.” There was a pause, a flicker of a grin. It was funny, and at the same time desperately serious. He was battling the emotion, the feeling, the embarrassing ambush of his own body, with the only weapon he knew: violent control. He told me however much he had read scriptures, however many times he had fasted until his stomach gnawed at his backbone, nothing had changed. The projector kept showing the film. And in the end, he asked me to lay hands on him, that the authority and power of the Holy Spirit might do a miracle and change him instantly—as if the truth were a lightning bolt that would zap the wrong belief away without his understanding ever having to be involved. He wanted a magical solution to a physiological and theological confusion, a divine software patch downloaded through the ether. But the Holy Spirit is not a cosmic IT desk that reboots your hard drive while you remain blissfully unconscious of the update; the liberation, as Jesus said, comes through knowing the truth (John 8:32), and the truth is a new piece of knowledge that makes the whole absurd struggle evaporate like a mist in the morning sun. You don’t need a hand laid on your forehead; you need a truth laid in your understanding. But we prefer the drama of a fall under the power to the quiet dignity of a mind renewed.

    ‎And so the silent comedy continues: man remains locked in a war he was never meant to fight, swinging his sword at shadows while the unexamined lie sits enthroned within, calmly, peacefully, reproducing the chaos. Liberation never comes through battling feelings. It comes only when a man is willing to let a new, true piece of knowledge enter and dismantle the lie—and then, astonishingly, the feeling changes on its own, as naturally as a flower opening to the light. The flower doesn’t wrestle its petals apart with grunts and sweat; it simply quits hiding from the sun.

    ‎Now, just when you thought the absurdity was confined to our internal skirmishes, this same poison of misperception has infected our identities. We have created a grand, global drama of what might be called “hate your neighbor as you hate yourself.”

    ‎Look at how we are raised. A child born into a Muslim family is, from birth, taught that they are automatically on the righteous team, and that the other team—the Christian one, the Hindu one, all the others—are not just wrong, but constitute a kind of cosmic rebellion that must be fought. A child born into a Christian family inhales the same emotional posture in reverse. Narrow it further: an Anglican is a quiet, dignified rebel against the Catholic; the Catholic against the Anglican. And as the denominations multiply like rabbits, so do the silent, emotional wars. We are not born into truth; we are born into an emotional game of ancestral sports teams. It’s not Manchester United vs. Liverpool, it’s the Assembly of the Firstborn vs. The Remnant of the True Remnant, and both sides are convinced the other is going down in the end-time relegation playoffs. Paul had to beg the early church, “I appeal to you, brothers and sisters, in the name of our Lord Jesus Christ, that all of you agree with one another in what you say and that there be no divisions among you” (1 Corinthians 1:10). Already, some were saying “I follow Paul,” others “I follow Apollos.” Today it’s “I follow the pastor who preaches exactly thirty-seven minutes and frowns on drums” versus “I follow the guy with the fog machine and the motivational podcast.” The teams have multiplied, but the game is the same: spiritual paintball with real pain.

    ‎And such a child, let’s say a Catholic child, grows up secretly awaiting the day when the heavenly trumpets blast and the voice from the clouds, like the sound of a thousand megaphones, roars: “Woooooh! All Catholics, please proceed to Gate A—you are definitely the chosen people! The rest… could you please form an orderly queue, as you are now cosmic toast.” Then they will celebrate, not as someone finally meeting the Beloved, but as a successful rebel who backed the winning horse. And they will turn to their Anglican and Pentecostal friends in the line and say, with genuine, tragic sincerity, “Bro, it was nice knowing you. Remember, I told you, you were on the wrong code. But I’ll miss you. I’ll try to explain your case to Christ; maybe He can downgrade your eternal torment to a mild, lukewarm purgatory.” It sounds like a joke, but it’s the secret emotional undercurrent of a mind that has mistaken a team jersey for a transformed heart. And we haven’t even mentioned the Baptists, who are certain that heaven has an immersion baptismal at the gate and you’ll need a dry-cleaned robe to enter. The only real difference between us and a soccer hooligan is that he’ll fight you in the parking lot, while we’ll just write a strongly worded doctrinal statement explaining why your parking lot doesn’t exist.

    ‎So, the question is not whether we should fight other religions as rebels or not. That’s like arguing about which character in a movie is the real hero while the entire theater is on fire. The question is: when did we accept this confusion to begin with? When did we sign up for the spiritual war reenactment society? The Scriptures actually tell us that “there is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus” (Galatians 3:28). You’d think that would put an end to the team jerseys. But no, we immediately divided ourselves into the “One-in-Christ” denomination and the “Also-One-in-Christ-but-with-correct-eschatology” denomination. The church split is always pre-packaged in the very verse meant to heal it. That’s not a revival; that’s a sitcom.

    ‎In all this, humans are unable to realize one liberating fact: they are not fighting for wisdom. They are just fighting with their emotions, dressed up as soldiers. They are trapped in inherited, emotional feuds, mistaking cultural loyalties and religious brand names for the pursuit of the Divine. A change in understanding—a coming to know the truth of the matter—naturally alters a person’s response to this entire magnificent mass of confusion. You do not need to fight the emotion, whether it’s the hatred of holiness or the smug thrill of being on the “correct” team. You need to see that the whole game is being played on a board that doesn’t exist, propelled by a belief that was never true to begin with. And when you see that, you don’t have to fight to be free. You look around, have a deep cosmic chuckle, and realize you always were. You were the prisoner who spent years begging for freedom while clutching the key to your cell, insisting the key was a holy back-scratcher and you must suffer well.

    ‎And this brings us to the most delicious piece of the puzzle, the final twist in the cosmic comedy: there is, in truth, no real hatred for righteousness at all. How could there be? The man has never actually tasted it. He is like a fellow who marches into the kitchen, slaps together a meal of boiled anxiety and raw self-effort with a generous pinch of grim duty, arranges it on a plate, sits down at the dining table, and then—before even lifting the fork—explodes with indignation. “What is this dreadful stench? Who chose these ingredients? I despise the salt! Who is the chef around here, some kind of cosmic sadist?” And all the while, he is the one who did the shopping, the cooking, and the seasoning. He is complaining about his own recipe and calling it “God’s banquet.” Isaiah saw this coming: “Why spend money on what is not bread, and your labor on what does not satisfy? Listen, listen to me, and eat what is good, and you will delight in the richest of fare” (Isaiah 55:2). God is advertising a free, sumptuous feast, and we’re in the corner microwaving a shoe and calling it the “hard path of discipleship.” The shoe is leathery and tough to swallow, and we’re convinced that’s the cost of holiness—never realizing God’s been shouting from the dining room, “Put the shoe down! I have steak!”

    ‎Man has not had a single real taste of righteousness, because he has been far too busy force-feeding himself a meal he prepared with his own terrified hands. He never paused to consider that there might be a completely different dish, prepared by a completely different Chef, that would make his taste buds sing. He hasn’t even thought to ask, “Perhaps before I complain, I might find out what the right meal actually is.” Instead, he sits at the table, arms crossed, fuming at the aroma of his own boiling resentment, convinced that he hates the forty-course feast of the Divine because the bowl of cold gruel he made for himself tasted awful. The liberation comes not from learning to stomach the gruel with a forced smile, but from discovering that there was a glorious, free banquet prepared all along, and you, my friend, were invited the whole time. And when that truth lands, the complaint evaporates—not because you fought it, but because you finally got up from the table of your own miserable cooking and took a seat where the real food is. And the real food is Himself. “I am the bread of life,” He said. “Whoever comes to me will never go hungry” (John 6:35). That’s not a diet plan; that’s a person.

    ‎Now, let's be absolutely clear about this, because the joke is on all of us and it's simply too good to miss: the trouble isn't that you have a weak will or a rebellious heart. The hatred of righteousness—that queasy, squirming resistance to what is good and holy—is not some black moral stain on your character that ought to make you hang your head in shame and enroll in a twelve-step program for deplorable sinners. No, no. It is a symptom of a mistake in understanding. A kind of intellectual cramp. A mental charley horse. It's as though your mind has been sitting in an awkward position for too long and has gone completely numb, and now you're furious at the tingling sensation, calling it demonic, when all you really need to do is stand up and walk around a bit. The devil loves a charley horse that gets mistaken for a demonic attack, because it means you’ll spend the next hour rebuking your calf instead of just stretching.

    ‎But of course, we are human. And human beings, bless our dramatic little hearts, live this life swimming in the medium of emotion as fish swim in water. We wake, we feel, we react. An unpleasant emotion arises, and before you can say "existential crisis," we have named it, judged it, and declared holy war upon it. Quite naturally, we make the mistake of treating certain feelings as ghouls, as demons, as personal Satans lurking in the basement of the psyche, rubbing their hands together and plotting our spiritual downfall. We picture a little red imp with a pitchfork hiding behind our medulla oblongata, whispering, "Go on, feel resentful about holiness, it'll be fun." And then we spend the next three hours rebuking it. But a feeling is not a gremlin. It is simply a manifestation—a shadow on the wall, cast by whatever we happen to believe is true. And you don't defeat a shadow by punching the wall. You'll only break your knuckles and look rather silly. You’ll also have a dented wall and a very confused shadow, which will still be there, probably mocking you.

    ‎But I want you to notice something quite wonderful, something so obvious that it is almost completely invisible to us in our state of spiritual panic: your emotions, in whatever costume they decide to wear to the party—whether it's gloom, lust, irritation, or that very specific feeling of wanting to strangle the person who just said "just trust the process"—are not intruders. They are perfectly in order. They are, as it were, God-given messengers. And you wouldn't waste a single moment fighting your own nervous system for doing exactly what it's supposed to do. You don't shout at the echo for bouncing back when you call into a canyon. "Why, you impertinent echo! How dare you repeat my exact words back to me with a slight delay! I rebuke you in the name of acoustical propriety!" Absurd, isn't it? Yet here we are, spending our days in full-scale civil war against the very things that make us complete, blasting the echo with a shotgun and wondering why the canyon still talks back. The echo is just your own voice returning to you, and if you don’t like what you hear, the solution is not to silence the canyon; it’s to change the shout. “For as he thinks in his heart, so is he” (Proverbs 23:7). The man’s inner shout shapes his echo. If his thinking is sour, his emotions will smell like a pickle jar left open in the sun. You don’t ban pickles; you change the factory.

    ‎The only way to know where you actually stand in your understanding of this universe—what you really, secretly, deep-in-your-bones believe—is to take a good, honest look at your emotional state in any given moment. Your feelings are the painting, splashed across the canvas of your experience in vivid color. Your beliefs are the tiny, almost invisible signature at the bottom. If the painting is a chaotic swirl of dread, resentment, and spiritual indigestion, you don't fix it by throwing turpentine at the canvas. You find the painter and ask him what on earth he was thinking.
    continuation of chapter 1.1 This is where the tragedy deepens into a full-blown farce. The very thing he fights—the emotion—is just a faithful messenger, a postman delivering news of what he already believes. He treats the messenger as the enemy, beats him up, throws him into the street, while refusing to read the letter. “How dare you bring me this feeling of reluctance!” he cries, as the postman, now a bruised but still very present emotion, sighs and says, “Sir, I’m just doing my job. Take it up with the author.” The Apostle Paul once said, “The mind governed by the flesh is death, but the mind governed by the Spirit is life and peace” (Romans 8:6). Notice he didn’t say, “Beat the flesh-mind with a stick until it learns to behave.” He spoke of a whole new governing. But we prefer a hostile takeover of the post office. We’d rather wrestle the mailman to the ground and demand he bring us different letters while we refuse to change the address the letters are coming from. ‎ ‎And because his efforts to defeat the emotion always, always fail in the long run (for a wrong belief will never, ever yield a lasting right feeling), he becomes thoroughly exhausted. And from this exhaustion he draws a devastating conclusion, as if he has discovered some profound truth: “Righteousness itself is a burden. The spiritual life is nothing but a soul-crushing war against my own inner resistance. God is hard, and I am a failure.” That conclusion becomes a shiny new piece of false knowledge, producing even darker emotions, and the cycle tightens its grip, like a snake charmer who’s charmed himself. It’s a self-perpetuating carnival ride: you pay admission with your peace, the ride spins you until you’re nauseous, and when you vomit, the ride operator yells, “See! That’s proof you’re not holy enough! Here’s a mop, and by the way, the next spin starts in five minutes.” The ticket booth is your own false belief, and you keep buying the season pass. ‎ ‎But here is the most confusing and tragic knot of all: when sound knowledge is offered to him—when someone gently says, “My friend, your view of God is a bad caricature; the truth is that He is a Father who already, right now, delights in you, and righteous living is simply your natural, joyful response to that love, not a bribe to get it”—man often refuses it. Why? Because he has become so identified with his emotional struggle that he mistakes it for spiritual seriousness. He has been fighting the emotion for so long that he believes the fight itself is righteousness. He’s become a kind of spiritual hypochondriac who thinks his constant pain is proof of his sensitivity. To abandon the fight and accept a new view feels not like liberation, but like surrender, like letting go of his “conscientiousness.” He mistakes his spiritual exhaustion for piety. He rigidly refuses the very knowledge that would set him free, because he has confused the war against the symptom with the actual work. He now believes in his emotional exhaustion as proof of his devotion, like a man who thinks the noise the engine makes is what makes the car go. And if you suggest otherwise, he’ll quote Scripture to defend his misery: “I discipline my body and bring it into subjection” (1 Corinthians 9:27) becomes “I beat up my emotions daily and call it apostleship.” Paul was talking about self-control, not self-flagellation with a cat-o'-nine-tails made of guilt. But the misquoter stands there, whip in hand, proud of his welts, awaiting a martyr’s crown. ‎ ‎So the confusion is a multi-layered cake of bewilderment: ‎ ‎1. Wrong knowledge produces a painful emotion (the projector’s running a bad film). ‎2. Then man perceives the emotion as the primary problem (he tries to fix the screen). ‎3. He attacks the emotion instead of exchanging the knowledge (he starts scrubbing the screen with a wire brush). ‎4. When his attack fails, he blames himself or God, generating new false knowledge (“The projector hates me.”). ‎5. He then defends his struggle as righteous, rejecting any truth that would dismantle his agonizing framework (“Don’t you dare touch my wire brush! This is holy work!”). ‎ ‎He ends up fighting the very belief he has not changed, all the while thinking he is fighting the right opponent—his emotion. Yet the emotion, in its very making, is nothing but the living shape of what he believes. It is not the problem to be solved; it is the faithful echo of a false premise. The wisest man who ever lived put it this way: “Guard your heart, for everything you do flows from it” (Proverbs 4:23). The heart in Hebrew thought includes the mind, the inner knowing. Guard that. But we’ve turned “guard your heart” into “patrol your feelings like a prison warden and shoot any inmate who looks suspicious.” The original advice was about planting a good tree; we made it about beating up the bad fruit with a baseball bat. ‎ ‎Years ago, when I was a focus pastor at a campus, a young man came to me with a dilemma so perfectly tragicomical that it nearly stopped my watch. He wanted to overcome lust. His specific problem was that he could not withstand having an erection in front of a beautiful woman. He saw this natural, biological response not as a bodily event, but as a personal betrayal of cosmic proportions. He had, in his mind, already been enlisted in a war against the devil, and his own body was, apparently, a double agent. His proposed solutions were, shall we say, drastic. He was of a view either to have his penis cut off, or to remove the neural centers that generate a response that causes the erection—a sort of internal scorched-earth policy, all in order to satisfy God and escape sin. He was ready to amputate the messenger. Now, he was practically quoting Jesus, though he didn’t realize the irony: “If your right hand causes you to sin, cut it off and throw it away” (Matthew 5:30). But Jesus was using holy hyperbole to deal with sin radically, not handing out surgical consent forms. If you take that verse as a literal amputation manual, you’ll end up as a disembodied stump within a month, and still sinning—because last I checked, you can sin in your thoughts with no hands at all. The only thing worse than a lustful thought is a lustful thought in a body with no parts left to express it, just a torso with a dirty mind. That’s not holiness; that’s a medical oddity. ‎ ‎So I asked, with a straight face, “Well, while we’re at it, why not remove your eyes? Or maybe we could just hide you in a cave far, far away, where you can’t ever see a female again. We could airlift in supplies. You’d be completely, perfectly holy—and utterly alone, but hey, no more erections! You could start a new monastic order: the Order of the Perpetually Safe and Extremely Lone.” There was a pause, a flicker of a grin. It was funny, and at the same time desperately serious. He was battling the emotion, the feeling, the embarrassing ambush of his own body, with the only weapon he knew: violent control. He told me however much he had read scriptures, however many times he had fasted until his stomach gnawed at his backbone, nothing had changed. The projector kept showing the film. And in the end, he asked me to lay hands on him, that the authority and power of the Holy Spirit might do a miracle and change him instantly—as if the truth were a lightning bolt that would zap the wrong belief away without his understanding ever having to be involved. He wanted a magical solution to a physiological and theological confusion, a divine software patch downloaded through the ether. But the Holy Spirit is not a cosmic IT desk that reboots your hard drive while you remain blissfully unconscious of the update; the liberation, as Jesus said, comes through knowing the truth (John 8:32), and the truth is a new piece of knowledge that makes the whole absurd struggle evaporate like a mist in the morning sun. You don’t need a hand laid on your forehead; you need a truth laid in your understanding. But we prefer the drama of a fall under the power to the quiet dignity of a mind renewed. ‎ ‎And so the silent comedy continues: man remains locked in a war he was never meant to fight, swinging his sword at shadows while the unexamined lie sits enthroned within, calmly, peacefully, reproducing the chaos. Liberation never comes through battling feelings. It comes only when a man is willing to let a new, true piece of knowledge enter and dismantle the lie—and then, astonishingly, the feeling changes on its own, as naturally as a flower opening to the light. The flower doesn’t wrestle its petals apart with grunts and sweat; it simply quits hiding from the sun. ‎ ‎Now, just when you thought the absurdity was confined to our internal skirmishes, this same poison of misperception has infected our identities. We have created a grand, global drama of what might be called “hate your neighbor as you hate yourself.” ‎ ‎Look at how we are raised. A child born into a Muslim family is, from birth, taught that they are automatically on the righteous team, and that the other team—the Christian one, the Hindu one, all the others—are not just wrong, but constitute a kind of cosmic rebellion that must be fought. A child born into a Christian family inhales the same emotional posture in reverse. Narrow it further: an Anglican is a quiet, dignified rebel against the Catholic; the Catholic against the Anglican. And as the denominations multiply like rabbits, so do the silent, emotional wars. We are not born into truth; we are born into an emotional game of ancestral sports teams. It’s not Manchester United vs. Liverpool, it’s the Assembly of the Firstborn vs. The Remnant of the True Remnant, and both sides are convinced the other is going down in the end-time relegation playoffs. Paul had to beg the early church, “I appeal to you, brothers and sisters, in the name of our Lord Jesus Christ, that all of you agree with one another in what you say and that there be no divisions among you” (1 Corinthians 1:10). Already, some were saying “I follow Paul,” others “I follow Apollos.” Today it’s “I follow the pastor who preaches exactly thirty-seven minutes and frowns on drums” versus “I follow the guy with the fog machine and the motivational podcast.” The teams have multiplied, but the game is the same: spiritual paintball with real pain. ‎ ‎And such a child, let’s say a Catholic child, grows up secretly awaiting the day when the heavenly trumpets blast and the voice from the clouds, like the sound of a thousand megaphones, roars: “Woooooh! All Catholics, please proceed to Gate A—you are definitely the chosen people! The rest… could you please form an orderly queue, as you are now cosmic toast.” Then they will celebrate, not as someone finally meeting the Beloved, but as a successful rebel who backed the winning horse. And they will turn to their Anglican and Pentecostal friends in the line and say, with genuine, tragic sincerity, “Bro, it was nice knowing you. Remember, I told you, you were on the wrong code. But I’ll miss you. I’ll try to explain your case to Christ; maybe He can downgrade your eternal torment to a mild, lukewarm purgatory.” It sounds like a joke, but it’s the secret emotional undercurrent of a mind that has mistaken a team jersey for a transformed heart. And we haven’t even mentioned the Baptists, who are certain that heaven has an immersion baptismal at the gate and you’ll need a dry-cleaned robe to enter. The only real difference between us and a soccer hooligan is that he’ll fight you in the parking lot, while we’ll just write a strongly worded doctrinal statement explaining why your parking lot doesn’t exist. ‎ ‎So, the question is not whether we should fight other religions as rebels or not. That’s like arguing about which character in a movie is the real hero while the entire theater is on fire. The question is: when did we accept this confusion to begin with? When did we sign up for the spiritual war reenactment society? The Scriptures actually tell us that “there is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus” (Galatians 3:28). You’d think that would put an end to the team jerseys. But no, we immediately divided ourselves into the “One-in-Christ” denomination and the “Also-One-in-Christ-but-with-correct-eschatology” denomination. The church split is always pre-packaged in the very verse meant to heal it. That’s not a revival; that’s a sitcom. ‎ ‎In all this, humans are unable to realize one liberating fact: they are not fighting for wisdom. They are just fighting with their emotions, dressed up as soldiers. They are trapped in inherited, emotional feuds, mistaking cultural loyalties and religious brand names for the pursuit of the Divine. A change in understanding—a coming to know the truth of the matter—naturally alters a person’s response to this entire magnificent mass of confusion. You do not need to fight the emotion, whether it’s the hatred of holiness or the smug thrill of being on the “correct” team. You need to see that the whole game is being played on a board that doesn’t exist, propelled by a belief that was never true to begin with. And when you see that, you don’t have to fight to be free. You look around, have a deep cosmic chuckle, and realize you always were. You were the prisoner who spent years begging for freedom while clutching the key to your cell, insisting the key was a holy back-scratcher and you must suffer well. ‎ ‎And this brings us to the most delicious piece of the puzzle, the final twist in the cosmic comedy: there is, in truth, no real hatred for righteousness at all. How could there be? The man has never actually tasted it. He is like a fellow who marches into the kitchen, slaps together a meal of boiled anxiety and raw self-effort with a generous pinch of grim duty, arranges it on a plate, sits down at the dining table, and then—before even lifting the fork—explodes with indignation. “What is this dreadful stench? Who chose these ingredients? I despise the salt! Who is the chef around here, some kind of cosmic sadist?” And all the while, he is the one who did the shopping, the cooking, and the seasoning. He is complaining about his own recipe and calling it “God’s banquet.” Isaiah saw this coming: “Why spend money on what is not bread, and your labor on what does not satisfy? Listen, listen to me, and eat what is good, and you will delight in the richest of fare” (Isaiah 55:2). God is advertising a free, sumptuous feast, and we’re in the corner microwaving a shoe and calling it the “hard path of discipleship.” The shoe is leathery and tough to swallow, and we’re convinced that’s the cost of holiness—never realizing God’s been shouting from the dining room, “Put the shoe down! I have steak!” ‎ ‎Man has not had a single real taste of righteousness, because he has been far too busy force-feeding himself a meal he prepared with his own terrified hands. He never paused to consider that there might be a completely different dish, prepared by a completely different Chef, that would make his taste buds sing. He hasn’t even thought to ask, “Perhaps before I complain, I might find out what the right meal actually is.” Instead, he sits at the table, arms crossed, fuming at the aroma of his own boiling resentment, convinced that he hates the forty-course feast of the Divine because the bowl of cold gruel he made for himself tasted awful. The liberation comes not from learning to stomach the gruel with a forced smile, but from discovering that there was a glorious, free banquet prepared all along, and you, my friend, were invited the whole time. And when that truth lands, the complaint evaporates—not because you fought it, but because you finally got up from the table of your own miserable cooking and took a seat where the real food is. And the real food is Himself. “I am the bread of life,” He said. “Whoever comes to me will never go hungry” (John 6:35). That’s not a diet plan; that’s a person. ‎ ‎Now, let's be absolutely clear about this, because the joke is on all of us and it's simply too good to miss: the trouble isn't that you have a weak will or a rebellious heart. The hatred of righteousness—that queasy, squirming resistance to what is good and holy—is not some black moral stain on your character that ought to make you hang your head in shame and enroll in a twelve-step program for deplorable sinners. No, no. It is a symptom of a mistake in understanding. A kind of intellectual cramp. A mental charley horse. It's as though your mind has been sitting in an awkward position for too long and has gone completely numb, and now you're furious at the tingling sensation, calling it demonic, when all you really need to do is stand up and walk around a bit. The devil loves a charley horse that gets mistaken for a demonic attack, because it means you’ll spend the next hour rebuking your calf instead of just stretching. ‎ ‎But of course, we are human. And human beings, bless our dramatic little hearts, live this life swimming in the medium of emotion as fish swim in water. We wake, we feel, we react. An unpleasant emotion arises, and before you can say "existential crisis," we have named it, judged it, and declared holy war upon it. Quite naturally, we make the mistake of treating certain feelings as ghouls, as demons, as personal Satans lurking in the basement of the psyche, rubbing their hands together and plotting our spiritual downfall. We picture a little red imp with a pitchfork hiding behind our medulla oblongata, whispering, "Go on, feel resentful about holiness, it'll be fun." And then we spend the next three hours rebuking it. But a feeling is not a gremlin. It is simply a manifestation—a shadow on the wall, cast by whatever we happen to believe is true. And you don't defeat a shadow by punching the wall. You'll only break your knuckles and look rather silly. You’ll also have a dented wall and a very confused shadow, which will still be there, probably mocking you. ‎ ‎But I want you to notice something quite wonderful, something so obvious that it is almost completely invisible to us in our state of spiritual panic: your emotions, in whatever costume they decide to wear to the party—whether it's gloom, lust, irritation, or that very specific feeling of wanting to strangle the person who just said "just trust the process"—are not intruders. They are perfectly in order. They are, as it were, God-given messengers. And you wouldn't waste a single moment fighting your own nervous system for doing exactly what it's supposed to do. You don't shout at the echo for bouncing back when you call into a canyon. "Why, you impertinent echo! How dare you repeat my exact words back to me with a slight delay! I rebuke you in the name of acoustical propriety!" Absurd, isn't it? Yet here we are, spending our days in full-scale civil war against the very things that make us complete, blasting the echo with a shotgun and wondering why the canyon still talks back. The echo is just your own voice returning to you, and if you don’t like what you hear, the solution is not to silence the canyon; it’s to change the shout. “For as he thinks in his heart, so is he” (Proverbs 23:7). The man’s inner shout shapes his echo. If his thinking is sour, his emotions will smell like a pickle jar left open in the sun. You don’t ban pickles; you change the factory. ‎ ‎The only way to know where you actually stand in your understanding of this universe—what you really, secretly, deep-in-your-bones believe—is to take a good, honest look at your emotional state in any given moment. Your feelings are the painting, splashed across the canvas of your experience in vivid color. Your beliefs are the tiny, almost invisible signature at the bottom. If the painting is a chaotic swirl of dread, resentment, and spiritual indigestion, you don't fix it by throwing turpentine at the canvas. You find the painter and ask him what on earth he was thinking.
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  • Simplicity in Preaching

    by J. C. Ryle

    King Solomon says, in the book of Ecclesiastes, "Of making many books there is no end" (12:12). There are few subjects about which that saying is more true than that of preaching. The volumes which have been written in order to show ministers how to preach are enough to make a small library. In sending forth one more little treatise, I only propose to touch one branch of the subject. I do not pretend to consider what should be the substance and matter of a sermon. I purposely leave alone such points as "gravity, unction, liveliness, warmth," and the like, or the comparative merits of written or extemporaneous sermons. I wish to confine myself to one point, which receives far less attention than it deserves. That point is simplicity in language and style.

    I ought to be able to tell my readers something about "simplicity," if experience will give any help. I began preaching forty-five years ago, when I first took orders in a poor rural parish, and a great portion of my ministerial life has been spent in preaching to laborers and farmers. I know the enormous difficulty of preaching to such hearers, of making them understand one's meaning, and securing their attention. So far as concerns language and composition, I deliberately say that I would rather preach before the University at Oxford or Cambridge, or the Temple, or Lincoln's Inn, or the Houses of Parliament, than I would address an agricultural congregation on a fine hot afternoon in the month of August. I have heard of a laborer who enjoyed Sunday more than any other day in the week, "Because," he said, "I sit comfortably in church, put up my legs, have nothing to think about, and just go to sleep." Some of my younger friends in the ministry may some day be called to preach to such congregations as I have had, and I shall be glad if they can profit by my experience.

    Before entering on the subject, I wish to clear the way by making four prefatory remarks.

    1. For one thing, I ask all my readers to remember that to attain simplicity in preaching is of the utmost importance to every minister who wishes to be useful to souls. Unless you are simple in your sermons you will never be understood, and unless you are understood you cannot do good to those who hear you. It was a true saying of Quintilian, "If you do not wish to be understood, you deserve to be neglected." Of course the first object of a minister should be to preach the truth, the whole truth, and nothing but "the truth as it is in Jesus." But the next thing he ought to aim at is, that his sermon may be understood; and it will not be understood by most of his hearers if it is not simple.

    2. The next thing I will say, by way of prefatory remark, is, that to attain simplicity in preaching is by no means an easy matter. No greater mistake can be made than to suppose this. "To make hard things seem hard," to use the substance of a saying of Archbishop Usher's, "is within the reach of all, but to make hard things seem easy and intelligible is a height attained by very few speakers." One of the wisest and best of the Puritans said two hundred years ago, "that the greater part of preachers shoot over the heads of the people." This is true also in 1837! I fear a vast proportion of what we preach is not understood by our hearers any more than if it were Greek. When people hear a simple sermon, or read a simple tract, they are apt to say, "How true! how plain! how easy to understand!" and to suppose that any one can write in that style. Allow me to tell my readers that it is an extremely difficult thing to write simple, clear, perspicuous, and forcible English. Look at the sermons of Charles Bradley, of Clapham. A sermon of his reads most beautifully. It is so simple and natural, that anyone feels at once that the meaning is as clear as the sun at noonday. Every word is the right word, and every word is in its right place. Yet the labor those sermons cost Mr. Bradley was very great indeed. Those who have read Goldsmith's Vicar of Wakefield attentively, can hardly fail to have noticed the exquisite naturalness, ease, and simplicity of its language. And yet it is known that the pains and trouble and time bestowed upon that work were immense. Let the Vicar of Wakefield be compared with Johnson's Rasselas, which was written off in a few days, it is said, under higher pressure—and the difference is at once apparent. In fact, to use very long words, to seem very learned, to make people go away after a sermon saying, "How fine! how clever! how grand!" all this is very easy work. But to write what will strike and stick, to speak or to write that which at once pleases and is understood, and becomes assimilated with a hearer's mind and a thing never forgotten—that, we may depend upon it, is a very difficult thing and a very rare attainment.

    3. Let me observe, in the next place, that when I talk of simplicity in preaching, I would not have my readers suppose I mean childish preaching. If we suppose the poor like that sort of sermon, we are greatly mistaken. If our hearers once imagine we consider them a parcel of ignorant folks for whom any kind of "infant's food" is good enough, our chance of doing good is lost altogether. People do not like even the appearance of 'condescending preaching'. They feel we are not treating them as equals, but inferiors. Human nature always dislikes that. They will at once put up their backs, stop their ears, and take offence—and then we might as well preach to the winds.

    4. Finally, let me observe, that it is not coarse or vulgar preaching that is needed. It is quite possible to be simple, and yet to speak like a gentleman, and with the demeanor of a courteous and refined person. It is an utter mistake to imagine that uneducated and illiterate men and women prefer to be spoken to in an illiterate way, and by an uneducated person. To suppose that a lay-evangelist or Scripture-reader, who knows nothing of Latin or Greek, and is only familiar with his Bible, is more acceptable than an Oxford first-class man, or a Cambridge wrangler (if that first-class man knows how to preach), is a complete error. People only tolerate vulgarity and coarseness, as a rule, when they can get nothing else.

    Having made these prefatory remarks in order to clear the way, I will now proceed to give my readers five brief hints as to what seems to me the best method of attaining simplicity in preaching.

    1. My first hint is this—If you want to attain simplicity in preaching, take care that you have a clear view of the subject upon which you are going to preach. I ask your special attention to this. Of all the five hints I am about to give, this is the most important. Mind, then, when your text is chosen, that you understand it and see right through it; that you know precisely what you want to prove, what you want to teach, what you want to establish, and what you want people's minds to carry away. If you yourself begin in a fog, you may depend upon it you will leave your people in darkness. Cicero, one of the greatest ancient orators, said long ago, "No one can possibly speak clearly and eloquently about a subject which he does not understand"—and I am satisfied that he spoke the truth. Archbishop Whately was a very shrewd observer of human nature, and he said rightly of a vast number of preachers, that "they aimed at nothing, and they hit nothing. Like men landing on an unknown island, and setting out on a journey of exploration, they set out in ignorance, and traveled on in ignorance all the day long."

    I ask all young ministers especially, to remember this first hint. I repeat most emphatically—"Take care you thoroughly understand your subject. Never choose a text of which you do not quite know what it means." Beware of taking obscure passages such as those which are to be found in unfulfilled and emblematic prophecies. If a man will continually preach to an ordinary congregation about the seals and vials and trumpets in Revelation, or about Ezekiel's temple, or about predestination, free will, and the eternal purposes of God—it will not be at all surprising to any reasonable mind if he fails to attain simplicity. I do not mean that these subjects ought not to be handled occasionally, at fit times, and before a suitable audience. All I say is, that they are very deep subjects, about which wise Christians often disagree, and it is almost impossible to make them very simple. We ought to see our subjects plainly, if we wish to make them simple, and there are hundreds of plain subjects to be found in God's Word.

    Beware, for the same reason, of taking up what I call "fanciful subjects" and "spiritualizing texts"—and then dragging out of them meanings which the Holy Spirit never intended to put into them. There is no subject needful for the soul's health which is not to be found plainly taught and set forth in Scripture. This being the case, I think a preacher should never take a text and extract from it, as a dentist would a tooth from the jaw, something which, however true in itself, is not the plain literal meaning of the inspired words. The sermon may seem very glittering and ingenious, and his people may go away saying, "What a clever parson we have got!" But if, on examination, they can neither find the sermon in the text, nor the text in the sermon, their minds are perplexed, and they begin to think the Bible is a deep book which cannot be understood. If you want to attain simplicity, beware of spiritualizing texts.

    When I speak of spiritualizing texts, let me explain what I mean. I remember hearing of a minister in a northern town, who was famous for preaching in this style. Once he gave out for his text, "He who is so impoverished that he has no oblation, chooses unto him a tree that will not rot" (Isa. 40:20). "Here," said he, "is man by nature impoverished and undone. He has nothing to offer, in order to make satisfaction for his soul. And what ought he to do? He ought to choose a tree which cannot rot—even the cross of our Lord Jesus Christ."

    On another occasion, being anxious to preach on the doctrine of indwelling sin, he chose his text out of the history of Joseph and his brethren, and gave out the words, "The old man of whom you spoke, is he yet alive?" (Gen. 43:27). Out of this question he ingeniously twisted a discourse about the infection of nature remaining in the believer—a grand truth, no doubt, but certainly not the truth of the passage. Such instances will, I trust, be a warning to all my younger brethren. If you want to preach about the indwelling corruption of human nature, or about Christ crucified, you need not seek for such far-fetched texts as those I have named. If you want to be simple, mind you choose plain simple texts!

    Furthermore, if you wish to see through your subjects thoroughly, and so to attain the foundation of simplicity, do not be ashamed of dividing your sermons and stating your divisions. I need hardly say this is a very vexed question. There is a morbid dread of "firstly, secondly, and thirdly" in many quarters. The stream of 'fashion' runs strongly against divisions, and I must frankly confess that a lively undivided sermon is much better than one divided in a dull, stupid, illogical way. Let every man be fully persuaded in his own mind. He who can preach sermons which strike and stick without divisions, by all means let him hold on his way and persevere. But let him not despise his neighbor who divides. All I say is—if we would be simple, there must be ORDER in a sermon as there is in an army. What wise general would mix up artillery, infantry, and cavalry in one confused mass in the day of battle? What giver of a banquet or dinner would dream of putting on the table the whole of the viands at once—the soup, the fish, the entrees, the meat, the salads, the sweets, the dessert, in one huge dish? Such a host would hardly be thought to serve his dinner well. Just so I say it is with sermons. By all means let there be order—order, whether you bring out your "firstly, secondly, or thirdly," or not—order, whether your divisions are concealed or expressed—order so carefully arranged that your points and ideas shall follow one another in beautiful regularity, like regiments marching past before the Queen on a review day in Windsor Park.

    For my own part, I honestly confess that I do not think I have preached two sermons in my life without divisions. I find it of the utmost importance to make people understand, remember, and carry away what I say—and I am certain that divisions help me to do so. They are, in fact, like hooks and pegs and shelves in the mind. If you study the sermons of men who have been and are successful preachers, you will always find order, and often divisions, in their sermons. I am not a bit ashamed to say that I often read the sermons of Mr. Spurgeon. I like to gather hints about preaching from all quarters. David did not ask about the sword of Goliath—"Who made it? who polished it? what blacksmith forged it?" He said, "There is nothing like it"—for he had once used it to cut off its owner's head. Mr. Spurgeon can preach most ably, and he proves it by keeping his enormous congregation together. We ought always to examine and analyze sermons which draw people together. Now when you read Mr. Spurgeon's sermons, note how clearly and perspicuously he divides a sermon, and fills each division with beautiful and simple ideas. How easily you grasp his meaning! How thoroughly he brings before you certain great truths, that hang to you like hooks of steel, and which, once planted in your memory, you never forget!

    My first point, then, if you would be simple in your preaching, is, that you must thoroughly understand your subject, and if you want to know whether you understand it, try to divide and arrange it. I can only say for myself; that I have done this ever since I have been a minister. For forty-five years I have kept note books in which I write down texts and heads of sermons for use when require. Whenever I get hold of a text, and see my way through it, I put it down and make a note of it. If I do not see my way through a text, I cannot preach on it, because I know I cannot be simple; and if I cannot be simple, I know I had better not preach at all

    2. The second hint I would give is this—Try to use in all your sermons, as far as you can—simple WORDS. In saying this, however, I must explain myself. When I talk of simple words, I do not mean words of only one syllable, or words which are purely Saxon. I cannot in this matter agree with Archbishop Whately. I think he goes too far in his recommendation of Saxon, though there is much truth in what he says about it. I rather prefer the saying of that wise old heathen Cicero, when he said, that orators should try to use words which are "in daily common use" among the people. Whether the words are Saxon or not—or of two or three syllables. It does not matter so long as they are words commonly used and understood by the people. Only, whatever you do, beware of what the poor shrewdly call "dictionary" words, that is, of words which are abstract, or scientific, or pedantic, or complicated, or vague, or very long. They may seem very fine, and sound very grand, but they are rarely of any use. The most powerful and forcible words, as a rule, are very short.

    Let me say one word more to confirm what I have stated about that common fallacy of the desirableness of always using Saxon English. I would remind you that a vast number of words of other than Saxon origin are used by writers of notorious simplicity. Take, for instance, the famous work of John Bunyan, and look at the very title of it—The Pilgrim's Progress. Neither of the leading words in that title is Saxon. Would he have improved matters if he had called it "The Wayfarer's Walk"? In saying this I admit freely that words of French and Latin origin are generally inferior to Saxon; and, as a rule, I would say—use strong pure Saxon words—if you can. All I mean to say is, that you must not think it a matter of course that words cannot be good and simple if they are not of Saxon origin. In any case, beware of long words.

    Dr. Gee, in his excellent book, 'Our Sermons', very ably points out the uselessness of using long words and expressions not in common use. For example, he says, "Talk of happiness rather than of felicity; talk of almighty rather than omnipotent; forbidden rather than proscribed; hateful rather than noxious; afterwards rather than subsequently; call out and draw forth instead of evoke and educe." We all need to be pulled up sharply on these points. It is very well to use fine words at Oxford and Cambridge, before classical hearers, and in preaching before educated audiences. But depend upon it, when you preach to ordinary congregations, the sooner you throw overboard this sort of English, and use plain common words, the better. One thing, at all events, is quite certain, without simple words you will never attain simplicity in preaching.

    3. The third hint I would offer, if you wish to attain simplicity in preaching, is this—Take care to aim at a SIMPLE style of composition. I will try to illustrate what I mean. If you take up the sermons preached by that great and wonderful man Dr. Chalmers, you can hardly fail to see what an enormous number of lines you meet with without coming to a full stop. This I regard as a great mistake. It may suit Scotland, but it will never do for England. If you would attain a simple style of composition, beware of writing many lines without coming to a pause, and so allowing the minds of your hearers to take breath. Beware of colons and semicolons. Stick to commas and full stops, and take care to write as if you were asthmatical or short of breath. Never write or speak very long sentences or long paragraphs. Use stops frequently, and start again—and the oftener you do this, the more likely you are to attain a simple style of composition. Enormous sentences full of colons, semicolons, and parentheses, with paragraphs of two or three pages' length, are utterly fatal to simplicity. We should bear in mind that preachers have to do with hearers and not readers, and that what will "read" well will not always "speak" well. A reader of English can always help himself by looking back a few lines and refreshing his mind. A hearer of English hears once for all, and if he loses the thread of your sermon in a long involved sentence, he very likely never finds it again.

    Again, simplicity in your style of composition depends very much upon the proper use of proverbs and pointed sentences. This is of vast importance. Here, I think, is the value of much that you find in Matthew Henry's commentary, and Bishop Hall's Contemplations. There are some good sayings of this sort in a book not known so well as it should be, called 'Papers on Preaching'. Take a few examples of what I mean: "What we weave in time—we wear in eternity." "Hell is paved with good intentions." "Sin forsaken, is one of the best evidences of sin forgiven." "It matters little how we die—but it matters much how we live." "Meddle with no man's person—but spare no man's sin." "The street is soon clean when every one sweeps before his own door." "Lying rides on debt's back—it is hard for an empty bag to stand upright." "He who begins with prayer—will end with praise" "All is not gold that glitters." "In religion, as in business—there are no gains without pains." "In the Bible there are shallows where a lamb can wade—and depths where an elephant must swim." "One thief on the cross was saved, that none should despair—and only one, that none should presume."

    Proverbial, pointed, and antithetical sayings of this kind give wonderful perspicuousness and force to a sermon. Labor to store your minds with them. Use them judiciously, and especially at the end of paragraphs, and you will find them an immense help to the attainment of a simple style of composition. But of long, involved, complicated sentences—always beware!

    4. The fourth hint I will give is this: If you wish to preach simply—use a DIRECT style. What do I mean by this? I mean the practice and custom of saying "I" and "you." When a man takes up this style of preaching, he is often told that he is conceited and egotistical. The result is that many preachers are never direct—and always think it very humble and modest and becoming to say "we." But I remember good Bishop Villiers saying that "we" was a word kings and corporations should use, and they alone—but that parish clergymen should always talk of "I" and "you." I endorse that saying with all my heart. I declare I never can understand what the famous pulpit "we" means. Does the preacher who all through his sermon keeps saying "we" mean himself and the bishop? or himself and the Church? or himself and the congregation? or himself and the early Fathers? or himself and the Reformers? or himself and all the wise men in the world? or, after all, does he only mean myself, plain "John Smith" or "Thomas Jones"? If he only means himself, what earthly reason can he give for using the plural number, and not saying simply and plainly "I"? When he visits his parishioners, or sits by a sick-bed, or catechises his school, or orders bread at the baker's, or meat at the butcher's—he does not say "we," but "I." Why, then, I should like to know, can he not say "I" in the pulpit? What right has he, as a modest man, to speak for anyone but himself? Why not stand up on Sunday and say, "Reading in the Word of God, I have found a text containing such things as these, and I come to set them before you"?

    Many people, I am sure, do not understand what the preacher's "we" means. The expression leaves them in a kind of fog. If you say, "I, the pastor of the parish, come here to talk of something that concerns your soul, something you should believe, something you should do"—you are at any rate understood. But if you begin to talk in the vague plural number of what" we" ought to do, many of your hearers do not know what you are driving at, and whether you are speaking to yourself or them. I charge and entreat my younger brethren in the ministry not to forget this point. Do try to be as direct as possible. Never mind what people say of you. In this particular do not imitate Chalmers, or Melville, or certain other living pulpit celebrities. Never say "we" when you mean "I." The more you get into the habit of talking plainly to the people, in the first person singular, as old Bishop Latimer did—the simpler will your sermon be, and the more easily understood. The glory of Whitefield's sermons is their directness. But unhappily they were so badly reported, that we cannot now appreciate them.

    5. The fifth and last hint I wish to give you is this: If you would attain simplicity in preaching, you must use plenty of anecdotes and illustrations. You must regard illustrations as windows through which light is let in upon your subject. Upon this point a great deal might be said, but the limits of a small treatise oblige me to touch it very briefly. I need hardly remind you of the example of Him who "spoke as never any man spoke"—our Lord and Savior Jesus Christ. Study the four Gospels attentively, and mark what a wealth of illustrations His sermons generally contain. How often you find figure upon figure, parable upon parable, in His discourses! There was nothing under His eyes apparently from which He did not draw lessons. The birds of the air, and the fish in the sea, the sheep, the goats, the cornfield, the vineyard, the ploughman, the sower, the reaper, the fisherman, the shepherd, the vinedresser, the woman kneading meal, the flowers, the grass, the bank, the wedding feast, the sepulcher—all were made vehicles for conveying thoughts to the minds of hearers. What are such parables as the prodigal son, the good Samaritan, the ten virgins, the king who made a marriage for his son, the rich man and Lazarus, the laborers of the vineyard, and others—what are all these but stirring stories that our Lord tells in order to convey some great truth to the souls of His hearers? Try to walk in His footsteps and follow His example.

    If you pause in your sermon, and say, "Now I will tell you a story"—I pledge that all who are not too fast asleep will pick up their ears and listen. People like similes, illustrations, and well-told stories—and will listen to them when they will attend to nothing else. And from what countless sources we can get illustrations! Take all the book of nature around us. Look at the sky above and the world beneath. Look at history. Look at all the branches of science, at geology, at botany, at chemistry, at astronomy. What is there in heaven above or earth below from which you may not bring illustrations to throw light on the message of the gospel? Read Bishop Latimer's sermons, the most popular, perhaps, that were ever preached. Read the works of Brooks, and Watson, and Swinnock, the Puritans. How full they are of illustrations, figures, metaphors, and stories! Look at Mr. Moody's sermons. What is one secret of his popularity? He fills his sermons with pleasing stories. He is the best speaker, says an Arabian proverb, who can turn the ear into an eye!

    For my part, I not only try to tell stories, but in country parishes I have sometimes put before people familiar illustrations which they can see. For instance—Do I want to show them that there must have been a first great cause or Being who made this world? I have sometimes taken out my watch, and have said, "Look at this watch. How well it is made! Do any of you suppose for a moment that all the screws, all the wheels, all the pins of that watch came together by accident? Would not any one say there must have been a watchmaker? And if so, it follows most surely that there must have been a Maker of the world, whose handiwork we see engraved on the face of every one of those glorious planets going their yearly rounds and keeping time to a single second. Look at the world in which you live, and the wonderful things which it contains. Will you tell me that there is no God, and that creation is the result of chance?" Or sometimes I have taken out a bunch of keys and shaken them. The whole congregation, when they hear the keys, look up. Then I say, "Would there be need of any keys if all men were perfect and honest? What does this bunch of keys show? Why, they show that the heart of man is deceitful above all things, and desperately wicked." Illustration, I confidently assert, is one of the best receipts for making a sermon simple, clear, perspicuous, and easily understood. Lay yourselves out for it. Pick up illustrations wherever you can. Keep your eyes open, and use them well. Happy is that preacher who has an eye for similitudes, and a memory stored with well-chosen stories and illustrations. If he is a real man of God, and knows how to deliver a sermon, he will never preach to bare walls and empty benches.

    But I must add a word of caution. There is a proper way of telling stories. If a man cannot tell stories naturally—he had better not tell them at all. Illustration, again, after all I have said in its favor, may be carried too far. I remember a notable instance of this in the case of the great Welsh preacher, Christmas Evans. There is in print a sermon of his about the wonderful miracle that took place in Gadara, when devils took possession of the swine, and the whole herd ran down violently into the sea. He paints it so minutely that it really becomes ludicrous by reason of the words put in the mouth of the swine-herders who told their master of the loss he had sustained. "Oh! sir," says one, "the pigs have all gone!" "But," says the master, "where have they gone?" "They have run down into the sea." "But who drove them down?" "Oh! sir, that wonderful man." "Well, what sort of a man was he? What did he do?" "Why, sir, he came and talked such strange things, and the whole herd ran suddenly down the steep place into the sea." "What, the old black boar and all?" "Yes, sir, the old black boar has gone too; for as we looked round, we just saw the end of his tail going over the cliff." Now that is going to an extreme. So, again, Dr. Guthrie's admirable sermons are occasionally so overlaid with illustrations as to remind one of cake made almost entirely of plums and containing hardly any flour. Put plenty of color and picture into your sermon by all means. Draw sweetness and light from all sources and from all creatures—from the heavens and the earth, from history, from science. But after all there is a limit. You must be careful how you use color—lest you do as much harm as good. Do not put on color by spoonfuls, but with a brush. This caution remembered, you will find color an immense aid in the attainment of simplicity and perspicuousness in preaching.

    And now bear in mind that my five points are these—

    1. If you want to attain simplicity in preaching, you must have a clear knowledge of what you are going to preach.

    2. If you would attain simplicity in preaching, you must use simple words.

    3. If you would attain simplicity in preaching, you must seek to acquire a simple style of composition, with short sentences and as few colons and semicolons as possible.

    4. If you would attain simplicity in preaching, aim at directness.

    5. If you would attain simplicity in preaching, make abundant use of illustration and anecdote.

    Let me add to all this one plain word of APPLICATION. You will never attain simplicity in preaching without plenty of work—pains and trouble, I say emphatically, pains and trouble. When Turner, the great painter, was asked by some one how it was he mixed his colors so well, and what it was that made them so different from those of other artists—"Mix them? mix them? mix them? Why, with brains, sir." I am persuaded that, in preaching, little can be done except by trouble and by pains.

    I have heard that a young and careless clergyman once said to Richard Cecil, "I think I need more faith." "No," said the wise old man—"you need more work. You need more pains. You must not think that God will do work for you—though He is ready to do it by you." I entreat my younger brethren to remember this. I beg them to make time for their composition of sermons, to take trouble and to exercise their brains by reading. Only mind that you read what is useful.

    I would not have you spend your time in reading the early church Fathers in order to help your preaching. They are very useful in their way, but there are many things more useful in modern writers, if you choose them discreetly.

    Read good models, and become familiar with good specimens of simplicity in preaching. As your best model, take the English Bible. If you speak the language in which that is written, you will speak well. Read John Bunyan's immortal work, the Pilgrim's progress. Read it again and again, if you wish to attain simplicity in preaching. Do not be above reading the Puritans. Some of them no doubt are heavy. Goodwin and Owen are very heavy, though excellent artillery in position. Read such books as Baxter, and Watson, and Traill, and Flavel, and Charnock, and Hall, and Henry. They are, to my mind, models of the best simple English spoken in old times. Remember, however, that language alters with years. They spoke English, and so do we, but their style was different from ours. Read beside them the best models of modern English that you can get at. I believe the best English writer for the last hundred years was William Cobbett, the political Radical. I think he wrote the finest simple Saxon-English the world has ever seen. In the present day I do not know a greater master of tersely spoken Saxon-English than John Bright. Among old political orators, the speeches of Lord Chatham and Patrick Henry, the American, are models of good English. Last, but not least, never forget that, next to the Bible, there is nothing in the English language which, for combined simplicity, perspicuousness, eloquence, and power, can be compared with some of the great speeches in Shakespeare. Models of this sort must really be studied, and studied "with brains," too, if you wish to attain a good style of composition in preaching. On the other hand, do not be above talking to the poor, and visiting your people from house to house. Sit down with your people by the fireside, and exchange thoughts with them on all subjects. Find out how they think and how they express themselves, if you want them to understand your sermons. By so doing you will insensibly learn much. You will be continually picking up modes of thought, and get notions as to what you should say in your pulpit.

    A humble country clergyman was once asked "whether he studied the fathers." The worthy man replied, that he had little opportunity of studying the fathers, as they were generally out in the fields when he called. But he studied the mothers more, because he often found them at home—and he could talk to them.

    Wittingly or unwittingly, the good man hit a nail right on the head. We must talk to our people when we are out of church—if we would understand how to preach to them in the church.

    1. I will only say, in CONCLUSION, that whatever we preach, or whatever pulpit we occupy, whether we preach simply or not, whether we preach written or extempore, we ought to aim not merely at letting off fireworks, but at preaching that which will do lasting good to souls! Let us beware of fireworks in our preaching. "Beautiful" sermons, "brilliant" sermons, "clever" sermons, "popular" sermons, are often sermons which have no effect on the congregation, and do not draw men to Jesus Christ. Let us aim so to preach, that what we say may really come home to men's minds and consciences and hearts, and make them think and consider.

    2. All the simplicity in the world can do no good, unless you preach the simple gospel of Jesus Christ so fully and clearly that everybody can understand it. If 'Christ crucified' has not His rightful place in your sermons, and 'sin' is not exposed as it should be, and your people are not plainly told what they ought to believe, and be, and do—your preaching is of no use!

    3. All the simplicity in the world, again, is useless without a good lively delivery. If you bury your head in your bosom, and mumble over your manuscript in a dull, monotonous, droning way, like a bee in a bottle, so that people cannot understand what you are speaking about—your preaching will be in vain. Depend upon it, delivery is not sufficiently attended to in our Church. In this, as in everything else connected with the science of preaching, I consider the Church of England is sadly deficient. I know that I began preaching alone in the New Forest, and nobody ever told me what was right or wrong in the pulpit. The result was that the first year of my preaching was a series of experiments. We get no help in these matters at Oxford and Cambridge. The utter lack of any proper training for the pulpit is one great blot and defect in the system of the Church of England.

    4. Above all, let us never forget that all the simplicity in the world is useless without prayer for the outpouring of the Holy Spirit, and the grant of God's blessing, and a life corresponding in some measure to what we preach. Be it ours to have an earnest desire for the souls of men, while we seek for simplicity in preaching the gospel of Jesus Christ, and let us never forget to accompany our sermons by holy living and fervent prayer!
    Simplicity in Preaching by J. C. Ryle King Solomon says, in the book of Ecclesiastes, "Of making many books there is no end" (12:12). There are few subjects about which that saying is more true than that of preaching. The volumes which have been written in order to show ministers how to preach are enough to make a small library. In sending forth one more little treatise, I only propose to touch one branch of the subject. I do not pretend to consider what should be the substance and matter of a sermon. I purposely leave alone such points as "gravity, unction, liveliness, warmth," and the like, or the comparative merits of written or extemporaneous sermons. I wish to confine myself to one point, which receives far less attention than it deserves. That point is simplicity in language and style. I ought to be able to tell my readers something about "simplicity," if experience will give any help. I began preaching forty-five years ago, when I first took orders in a poor rural parish, and a great portion of my ministerial life has been spent in preaching to laborers and farmers. I know the enormous difficulty of preaching to such hearers, of making them understand one's meaning, and securing their attention. So far as concerns language and composition, I deliberately say that I would rather preach before the University at Oxford or Cambridge, or the Temple, or Lincoln's Inn, or the Houses of Parliament, than I would address an agricultural congregation on a fine hot afternoon in the month of August. I have heard of a laborer who enjoyed Sunday more than any other day in the week, "Because," he said, "I sit comfortably in church, put up my legs, have nothing to think about, and just go to sleep." Some of my younger friends in the ministry may some day be called to preach to such congregations as I have had, and I shall be glad if they can profit by my experience. Before entering on the subject, I wish to clear the way by making four prefatory remarks. 1. For one thing, I ask all my readers to remember that to attain simplicity in preaching is of the utmost importance to every minister who wishes to be useful to souls. Unless you are simple in your sermons you will never be understood, and unless you are understood you cannot do good to those who hear you. It was a true saying of Quintilian, "If you do not wish to be understood, you deserve to be neglected." Of course the first object of a minister should be to preach the truth, the whole truth, and nothing but "the truth as it is in Jesus." But the next thing he ought to aim at is, that his sermon may be understood; and it will not be understood by most of his hearers if it is not simple. 2. The next thing I will say, by way of prefatory remark, is, that to attain simplicity in preaching is by no means an easy matter. No greater mistake can be made than to suppose this. "To make hard things seem hard," to use the substance of a saying of Archbishop Usher's, "is within the reach of all, but to make hard things seem easy and intelligible is a height attained by very few speakers." One of the wisest and best of the Puritans said two hundred years ago, "that the greater part of preachers shoot over the heads of the people." This is true also in 1837! I fear a vast proportion of what we preach is not understood by our hearers any more than if it were Greek. When people hear a simple sermon, or read a simple tract, they are apt to say, "How true! how plain! how easy to understand!" and to suppose that any one can write in that style. Allow me to tell my readers that it is an extremely difficult thing to write simple, clear, perspicuous, and forcible English. Look at the sermons of Charles Bradley, of Clapham. A sermon of his reads most beautifully. It is so simple and natural, that anyone feels at once that the meaning is as clear as the sun at noonday. Every word is the right word, and every word is in its right place. Yet the labor those sermons cost Mr. Bradley was very great indeed. Those who have read Goldsmith's Vicar of Wakefield attentively, can hardly fail to have noticed the exquisite naturalness, ease, and simplicity of its language. And yet it is known that the pains and trouble and time bestowed upon that work were immense. Let the Vicar of Wakefield be compared with Johnson's Rasselas, which was written off in a few days, it is said, under higher pressure—and the difference is at once apparent. In fact, to use very long words, to seem very learned, to make people go away after a sermon saying, "How fine! how clever! how grand!" all this is very easy work. But to write what will strike and stick, to speak or to write that which at once pleases and is understood, and becomes assimilated with a hearer's mind and a thing never forgotten—that, we may depend upon it, is a very difficult thing and a very rare attainment. 3. Let me observe, in the next place, that when I talk of simplicity in preaching, I would not have my readers suppose I mean childish preaching. If we suppose the poor like that sort of sermon, we are greatly mistaken. If our hearers once imagine we consider them a parcel of ignorant folks for whom any kind of "infant's food" is good enough, our chance of doing good is lost altogether. People do not like even the appearance of 'condescending preaching'. They feel we are not treating them as equals, but inferiors. Human nature always dislikes that. They will at once put up their backs, stop their ears, and take offence—and then we might as well preach to the winds. 4. Finally, let me observe, that it is not coarse or vulgar preaching that is needed. It is quite possible to be simple, and yet to speak like a gentleman, and with the demeanor of a courteous and refined person. It is an utter mistake to imagine that uneducated and illiterate men and women prefer to be spoken to in an illiterate way, and by an uneducated person. To suppose that a lay-evangelist or Scripture-reader, who knows nothing of Latin or Greek, and is only familiar with his Bible, is more acceptable than an Oxford first-class man, or a Cambridge wrangler (if that first-class man knows how to preach), is a complete error. People only tolerate vulgarity and coarseness, as a rule, when they can get nothing else. Having made these prefatory remarks in order to clear the way, I will now proceed to give my readers five brief hints as to what seems to me the best method of attaining simplicity in preaching. 1. My first hint is this—If you want to attain simplicity in preaching, take care that you have a clear view of the subject upon which you are going to preach. I ask your special attention to this. Of all the five hints I am about to give, this is the most important. Mind, then, when your text is chosen, that you understand it and see right through it; that you know precisely what you want to prove, what you want to teach, what you want to establish, and what you want people's minds to carry away. If you yourself begin in a fog, you may depend upon it you will leave your people in darkness. Cicero, one of the greatest ancient orators, said long ago, "No one can possibly speak clearly and eloquently about a subject which he does not understand"—and I am satisfied that he spoke the truth. Archbishop Whately was a very shrewd observer of human nature, and he said rightly of a vast number of preachers, that "they aimed at nothing, and they hit nothing. Like men landing on an unknown island, and setting out on a journey of exploration, they set out in ignorance, and traveled on in ignorance all the day long." I ask all young ministers especially, to remember this first hint. I repeat most emphatically—"Take care you thoroughly understand your subject. Never choose a text of which you do not quite know what it means." Beware of taking obscure passages such as those which are to be found in unfulfilled and emblematic prophecies. If a man will continually preach to an ordinary congregation about the seals and vials and trumpets in Revelation, or about Ezekiel's temple, or about predestination, free will, and the eternal purposes of God—it will not be at all surprising to any reasonable mind if he fails to attain simplicity. I do not mean that these subjects ought not to be handled occasionally, at fit times, and before a suitable audience. All I say is, that they are very deep subjects, about which wise Christians often disagree, and it is almost impossible to make them very simple. We ought to see our subjects plainly, if we wish to make them simple, and there are hundreds of plain subjects to be found in God's Word. Beware, for the same reason, of taking up what I call "fanciful subjects" and "spiritualizing texts"—and then dragging out of them meanings which the Holy Spirit never intended to put into them. There is no subject needful for the soul's health which is not to be found plainly taught and set forth in Scripture. This being the case, I think a preacher should never take a text and extract from it, as a dentist would a tooth from the jaw, something which, however true in itself, is not the plain literal meaning of the inspired words. The sermon may seem very glittering and ingenious, and his people may go away saying, "What a clever parson we have got!" But if, on examination, they can neither find the sermon in the text, nor the text in the sermon, their minds are perplexed, and they begin to think the Bible is a deep book which cannot be understood. If you want to attain simplicity, beware of spiritualizing texts. When I speak of spiritualizing texts, let me explain what I mean. I remember hearing of a minister in a northern town, who was famous for preaching in this style. Once he gave out for his text, "He who is so impoverished that he has no oblation, chooses unto him a tree that will not rot" (Isa. 40:20). "Here," said he, "is man by nature impoverished and undone. He has nothing to offer, in order to make satisfaction for his soul. And what ought he to do? He ought to choose a tree which cannot rot—even the cross of our Lord Jesus Christ." On another occasion, being anxious to preach on the doctrine of indwelling sin, he chose his text out of the history of Joseph and his brethren, and gave out the words, "The old man of whom you spoke, is he yet alive?" (Gen. 43:27). Out of this question he ingeniously twisted a discourse about the infection of nature remaining in the believer—a grand truth, no doubt, but certainly not the truth of the passage. Such instances will, I trust, be a warning to all my younger brethren. If you want to preach about the indwelling corruption of human nature, or about Christ crucified, you need not seek for such far-fetched texts as those I have named. If you want to be simple, mind you choose plain simple texts! Furthermore, if you wish to see through your subjects thoroughly, and so to attain the foundation of simplicity, do not be ashamed of dividing your sermons and stating your divisions. I need hardly say this is a very vexed question. There is a morbid dread of "firstly, secondly, and thirdly" in many quarters. The stream of 'fashion' runs strongly against divisions, and I must frankly confess that a lively undivided sermon is much better than one divided in a dull, stupid, illogical way. Let every man be fully persuaded in his own mind. He who can preach sermons which strike and stick without divisions, by all means let him hold on his way and persevere. But let him not despise his neighbor who divides. All I say is—if we would be simple, there must be ORDER in a sermon as there is in an army. What wise general would mix up artillery, infantry, and cavalry in one confused mass in the day of battle? What giver of a banquet or dinner would dream of putting on the table the whole of the viands at once—the soup, the fish, the entrees, the meat, the salads, the sweets, the dessert, in one huge dish? Such a host would hardly be thought to serve his dinner well. Just so I say it is with sermons. By all means let there be order—order, whether you bring out your "firstly, secondly, or thirdly," or not—order, whether your divisions are concealed or expressed—order so carefully arranged that your points and ideas shall follow one another in beautiful regularity, like regiments marching past before the Queen on a review day in Windsor Park. For my own part, I honestly confess that I do not think I have preached two sermons in my life without divisions. I find it of the utmost importance to make people understand, remember, and carry away what I say—and I am certain that divisions help me to do so. They are, in fact, like hooks and pegs and shelves in the mind. If you study the sermons of men who have been and are successful preachers, you will always find order, and often divisions, in their sermons. I am not a bit ashamed to say that I often read the sermons of Mr. Spurgeon. I like to gather hints about preaching from all quarters. David did not ask about the sword of Goliath—"Who made it? who polished it? what blacksmith forged it?" He said, "There is nothing like it"—for he had once used it to cut off its owner's head. Mr. Spurgeon can preach most ably, and he proves it by keeping his enormous congregation together. We ought always to examine and analyze sermons which draw people together. Now when you read Mr. Spurgeon's sermons, note how clearly and perspicuously he divides a sermon, and fills each division with beautiful and simple ideas. How easily you grasp his meaning! How thoroughly he brings before you certain great truths, that hang to you like hooks of steel, and which, once planted in your memory, you never forget! My first point, then, if you would be simple in your preaching, is, that you must thoroughly understand your subject, and if you want to know whether you understand it, try to divide and arrange it. I can only say for myself; that I have done this ever since I have been a minister. For forty-five years I have kept note books in which I write down texts and heads of sermons for use when require. Whenever I get hold of a text, and see my way through it, I put it down and make a note of it. If I do not see my way through a text, I cannot preach on it, because I know I cannot be simple; and if I cannot be simple, I know I had better not preach at all 2. The second hint I would give is this—Try to use in all your sermons, as far as you can—simple WORDS. In saying this, however, I must explain myself. When I talk of simple words, I do not mean words of only one syllable, or words which are purely Saxon. I cannot in this matter agree with Archbishop Whately. I think he goes too far in his recommendation of Saxon, though there is much truth in what he says about it. I rather prefer the saying of that wise old heathen Cicero, when he said, that orators should try to use words which are "in daily common use" among the people. Whether the words are Saxon or not—or of two or three syllables. It does not matter so long as they are words commonly used and understood by the people. Only, whatever you do, beware of what the poor shrewdly call "dictionary" words, that is, of words which are abstract, or scientific, or pedantic, or complicated, or vague, or very long. They may seem very fine, and sound very grand, but they are rarely of any use. The most powerful and forcible words, as a rule, are very short. Let me say one word more to confirm what I have stated about that common fallacy of the desirableness of always using Saxon English. I would remind you that a vast number of words of other than Saxon origin are used by writers of notorious simplicity. Take, for instance, the famous work of John Bunyan, and look at the very title of it—The Pilgrim's Progress. Neither of the leading words in that title is Saxon. Would he have improved matters if he had called it "The Wayfarer's Walk"? In saying this I admit freely that words of French and Latin origin are generally inferior to Saxon; and, as a rule, I would say—use strong pure Saxon words—if you can. All I mean to say is, that you must not think it a matter of course that words cannot be good and simple if they are not of Saxon origin. In any case, beware of long words. Dr. Gee, in his excellent book, 'Our Sermons', very ably points out the uselessness of using long words and expressions not in common use. For example, he says, "Talk of happiness rather than of felicity; talk of almighty rather than omnipotent; forbidden rather than proscribed; hateful rather than noxious; afterwards rather than subsequently; call out and draw forth instead of evoke and educe." We all need to be pulled up sharply on these points. It is very well to use fine words at Oxford and Cambridge, before classical hearers, and in preaching before educated audiences. But depend upon it, when you preach to ordinary congregations, the sooner you throw overboard this sort of English, and use plain common words, the better. One thing, at all events, is quite certain, without simple words you will never attain simplicity in preaching. 3. The third hint I would offer, if you wish to attain simplicity in preaching, is this—Take care to aim at a SIMPLE style of composition. I will try to illustrate what I mean. If you take up the sermons preached by that great and wonderful man Dr. Chalmers, you can hardly fail to see what an enormous number of lines you meet with without coming to a full stop. This I regard as a great mistake. It may suit Scotland, but it will never do for England. If you would attain a simple style of composition, beware of writing many lines without coming to a pause, and so allowing the minds of your hearers to take breath. Beware of colons and semicolons. Stick to commas and full stops, and take care to write as if you were asthmatical or short of breath. Never write or speak very long sentences or long paragraphs. Use stops frequently, and start again—and the oftener you do this, the more likely you are to attain a simple style of composition. Enormous sentences full of colons, semicolons, and parentheses, with paragraphs of two or three pages' length, are utterly fatal to simplicity. We should bear in mind that preachers have to do with hearers and not readers, and that what will "read" well will not always "speak" well. A reader of English can always help himself by looking back a few lines and refreshing his mind. A hearer of English hears once for all, and if he loses the thread of your sermon in a long involved sentence, he very likely never finds it again. Again, simplicity in your style of composition depends very much upon the proper use of proverbs and pointed sentences. This is of vast importance. Here, I think, is the value of much that you find in Matthew Henry's commentary, and Bishop Hall's Contemplations. There are some good sayings of this sort in a book not known so well as it should be, called 'Papers on Preaching'. Take a few examples of what I mean: "What we weave in time—we wear in eternity." "Hell is paved with good intentions." "Sin forsaken, is one of the best evidences of sin forgiven." "It matters little how we die—but it matters much how we live." "Meddle with no man's person—but spare no man's sin." "The street is soon clean when every one sweeps before his own door." "Lying rides on debt's back—it is hard for an empty bag to stand upright." "He who begins with prayer—will end with praise" "All is not gold that glitters." "In religion, as in business—there are no gains without pains." "In the Bible there are shallows where a lamb can wade—and depths where an elephant must swim." "One thief on the cross was saved, that none should despair—and only one, that none should presume." Proverbial, pointed, and antithetical sayings of this kind give wonderful perspicuousness and force to a sermon. Labor to store your minds with them. Use them judiciously, and especially at the end of paragraphs, and you will find them an immense help to the attainment of a simple style of composition. But of long, involved, complicated sentences—always beware! 4. The fourth hint I will give is this: If you wish to preach simply—use a DIRECT style. What do I mean by this? I mean the practice and custom of saying "I" and "you." When a man takes up this style of preaching, he is often told that he is conceited and egotistical. The result is that many preachers are never direct—and always think it very humble and modest and becoming to say "we." But I remember good Bishop Villiers saying that "we" was a word kings and corporations should use, and they alone—but that parish clergymen should always talk of "I" and "you." I endorse that saying with all my heart. I declare I never can understand what the famous pulpit "we" means. Does the preacher who all through his sermon keeps saying "we" mean himself and the bishop? or himself and the Church? or himself and the congregation? or himself and the early Fathers? or himself and the Reformers? or himself and all the wise men in the world? or, after all, does he only mean myself, plain "John Smith" or "Thomas Jones"? If he only means himself, what earthly reason can he give for using the plural number, and not saying simply and plainly "I"? When he visits his parishioners, or sits by a sick-bed, or catechises his school, or orders bread at the baker's, or meat at the butcher's—he does not say "we," but "I." Why, then, I should like to know, can he not say "I" in the pulpit? What right has he, as a modest man, to speak for anyone but himself? Why not stand up on Sunday and say, "Reading in the Word of God, I have found a text containing such things as these, and I come to set them before you"? Many people, I am sure, do not understand what the preacher's "we" means. The expression leaves them in a kind of fog. If you say, "I, the pastor of the parish, come here to talk of something that concerns your soul, something you should believe, something you should do"—you are at any rate understood. But if you begin to talk in the vague plural number of what" we" ought to do, many of your hearers do not know what you are driving at, and whether you are speaking to yourself or them. I charge and entreat my younger brethren in the ministry not to forget this point. Do try to be as direct as possible. Never mind what people say of you. In this particular do not imitate Chalmers, or Melville, or certain other living pulpit celebrities. Never say "we" when you mean "I." The more you get into the habit of talking plainly to the people, in the first person singular, as old Bishop Latimer did—the simpler will your sermon be, and the more easily understood. The glory of Whitefield's sermons is their directness. But unhappily they were so badly reported, that we cannot now appreciate them. 5. The fifth and last hint I wish to give you is this: If you would attain simplicity in preaching, you must use plenty of anecdotes and illustrations. You must regard illustrations as windows through which light is let in upon your subject. Upon this point a great deal might be said, but the limits of a small treatise oblige me to touch it very briefly. I need hardly remind you of the example of Him who "spoke as never any man spoke"—our Lord and Savior Jesus Christ. Study the four Gospels attentively, and mark what a wealth of illustrations His sermons generally contain. How often you find figure upon figure, parable upon parable, in His discourses! There was nothing under His eyes apparently from which He did not draw lessons. The birds of the air, and the fish in the sea, the sheep, the goats, the cornfield, the vineyard, the ploughman, the sower, the reaper, the fisherman, the shepherd, the vinedresser, the woman kneading meal, the flowers, the grass, the bank, the wedding feast, the sepulcher—all were made vehicles for conveying thoughts to the minds of hearers. What are such parables as the prodigal son, the good Samaritan, the ten virgins, the king who made a marriage for his son, the rich man and Lazarus, the laborers of the vineyard, and others—what are all these but stirring stories that our Lord tells in order to convey some great truth to the souls of His hearers? Try to walk in His footsteps and follow His example. If you pause in your sermon, and say, "Now I will tell you a story"—I pledge that all who are not too fast asleep will pick up their ears and listen. People like similes, illustrations, and well-told stories—and will listen to them when they will attend to nothing else. And from what countless sources we can get illustrations! Take all the book of nature around us. Look at the sky above and the world beneath. Look at history. Look at all the branches of science, at geology, at botany, at chemistry, at astronomy. What is there in heaven above or earth below from which you may not bring illustrations to throw light on the message of the gospel? Read Bishop Latimer's sermons, the most popular, perhaps, that were ever preached. Read the works of Brooks, and Watson, and Swinnock, the Puritans. How full they are of illustrations, figures, metaphors, and stories! Look at Mr. Moody's sermons. What is one secret of his popularity? He fills his sermons with pleasing stories. He is the best speaker, says an Arabian proverb, who can turn the ear into an eye! For my part, I not only try to tell stories, but in country parishes I have sometimes put before people familiar illustrations which they can see. For instance—Do I want to show them that there must have been a first great cause or Being who made this world? I have sometimes taken out my watch, and have said, "Look at this watch. How well it is made! Do any of you suppose for a moment that all the screws, all the wheels, all the pins of that watch came together by accident? Would not any one say there must have been a watchmaker? And if so, it follows most surely that there must have been a Maker of the world, whose handiwork we see engraved on the face of every one of those glorious planets going their yearly rounds and keeping time to a single second. Look at the world in which you live, and the wonderful things which it contains. Will you tell me that there is no God, and that creation is the result of chance?" Or sometimes I have taken out a bunch of keys and shaken them. The whole congregation, when they hear the keys, look up. Then I say, "Would there be need of any keys if all men were perfect and honest? What does this bunch of keys show? Why, they show that the heart of man is deceitful above all things, and desperately wicked." Illustration, I confidently assert, is one of the best receipts for making a sermon simple, clear, perspicuous, and easily understood. Lay yourselves out for it. Pick up illustrations wherever you can. Keep your eyes open, and use them well. Happy is that preacher who has an eye for similitudes, and a memory stored with well-chosen stories and illustrations. If he is a real man of God, and knows how to deliver a sermon, he will never preach to bare walls and empty benches. But I must add a word of caution. There is a proper way of telling stories. If a man cannot tell stories naturally—he had better not tell them at all. Illustration, again, after all I have said in its favor, may be carried too far. I remember a notable instance of this in the case of the great Welsh preacher, Christmas Evans. There is in print a sermon of his about the wonderful miracle that took place in Gadara, when devils took possession of the swine, and the whole herd ran down violently into the sea. He paints it so minutely that it really becomes ludicrous by reason of the words put in the mouth of the swine-herders who told their master of the loss he had sustained. "Oh! sir," says one, "the pigs have all gone!" "But," says the master, "where have they gone?" "They have run down into the sea." "But who drove them down?" "Oh! sir, that wonderful man." "Well, what sort of a man was he? What did he do?" "Why, sir, he came and talked such strange things, and the whole herd ran suddenly down the steep place into the sea." "What, the old black boar and all?" "Yes, sir, the old black boar has gone too; for as we looked round, we just saw the end of his tail going over the cliff." Now that is going to an extreme. So, again, Dr. Guthrie's admirable sermons are occasionally so overlaid with illustrations as to remind one of cake made almost entirely of plums and containing hardly any flour. Put plenty of color and picture into your sermon by all means. Draw sweetness and light from all sources and from all creatures—from the heavens and the earth, from history, from science. But after all there is a limit. You must be careful how you use color—lest you do as much harm as good. Do not put on color by spoonfuls, but with a brush. This caution remembered, you will find color an immense aid in the attainment of simplicity and perspicuousness in preaching. And now bear in mind that my five points are these— 1. If you want to attain simplicity in preaching, you must have a clear knowledge of what you are going to preach. 2. If you would attain simplicity in preaching, you must use simple words. 3. If you would attain simplicity in preaching, you must seek to acquire a simple style of composition, with short sentences and as few colons and semicolons as possible. 4. If you would attain simplicity in preaching, aim at directness. 5. If you would attain simplicity in preaching, make abundant use of illustration and anecdote. Let me add to all this one plain word of APPLICATION. You will never attain simplicity in preaching without plenty of work—pains and trouble, I say emphatically, pains and trouble. When Turner, the great painter, was asked by some one how it was he mixed his colors so well, and what it was that made them so different from those of other artists—"Mix them? mix them? mix them? Why, with brains, sir." I am persuaded that, in preaching, little can be done except by trouble and by pains. I have heard that a young and careless clergyman once said to Richard Cecil, "I think I need more faith." "No," said the wise old man—"you need more work. You need more pains. You must not think that God will do work for you—though He is ready to do it by you." I entreat my younger brethren to remember this. I beg them to make time for their composition of sermons, to take trouble and to exercise their brains by reading. Only mind that you read what is useful. I would not have you spend your time in reading the early church Fathers in order to help your preaching. They are very useful in their way, but there are many things more useful in modern writers, if you choose them discreetly. Read good models, and become familiar with good specimens of simplicity in preaching. As your best model, take the English Bible. If you speak the language in which that is written, you will speak well. Read John Bunyan's immortal work, the Pilgrim's progress. Read it again and again, if you wish to attain simplicity in preaching. Do not be above reading the Puritans. Some of them no doubt are heavy. Goodwin and Owen are very heavy, though excellent artillery in position. Read such books as Baxter, and Watson, and Traill, and Flavel, and Charnock, and Hall, and Henry. They are, to my mind, models of the best simple English spoken in old times. Remember, however, that language alters with years. They spoke English, and so do we, but their style was different from ours. Read beside them the best models of modern English that you can get at. I believe the best English writer for the last hundred years was William Cobbett, the political Radical. I think he wrote the finest simple Saxon-English the world has ever seen. In the present day I do not know a greater master of tersely spoken Saxon-English than John Bright. Among old political orators, the speeches of Lord Chatham and Patrick Henry, the American, are models of good English. Last, but not least, never forget that, next to the Bible, there is nothing in the English language which, for combined simplicity, perspicuousness, eloquence, and power, can be compared with some of the great speeches in Shakespeare. Models of this sort must really be studied, and studied "with brains," too, if you wish to attain a good style of composition in preaching. On the other hand, do not be above talking to the poor, and visiting your people from house to house. Sit down with your people by the fireside, and exchange thoughts with them on all subjects. Find out how they think and how they express themselves, if you want them to understand your sermons. By so doing you will insensibly learn much. You will be continually picking up modes of thought, and get notions as to what you should say in your pulpit. A humble country clergyman was once asked "whether he studied the fathers." The worthy man replied, that he had little opportunity of studying the fathers, as they were generally out in the fields when he called. But he studied the mothers more, because he often found them at home—and he could talk to them. Wittingly or unwittingly, the good man hit a nail right on the head. We must talk to our people when we are out of church—if we would understand how to preach to them in the church. 1. I will only say, in CONCLUSION, that whatever we preach, or whatever pulpit we occupy, whether we preach simply or not, whether we preach written or extempore, we ought to aim not merely at letting off fireworks, but at preaching that which will do lasting good to souls! Let us beware of fireworks in our preaching. "Beautiful" sermons, "brilliant" sermons, "clever" sermons, "popular" sermons, are often sermons which have no effect on the congregation, and do not draw men to Jesus Christ. Let us aim so to preach, that what we say may really come home to men's minds and consciences and hearts, and make them think and consider. 2. All the simplicity in the world can do no good, unless you preach the simple gospel of Jesus Christ so fully and clearly that everybody can understand it. If 'Christ crucified' has not His rightful place in your sermons, and 'sin' is not exposed as it should be, and your people are not plainly told what they ought to believe, and be, and do—your preaching is of no use! 3. All the simplicity in the world, again, is useless without a good lively delivery. If you bury your head in your bosom, and mumble over your manuscript in a dull, monotonous, droning way, like a bee in a bottle, so that people cannot understand what you are speaking about—your preaching will be in vain. Depend upon it, delivery is not sufficiently attended to in our Church. In this, as in everything else connected with the science of preaching, I consider the Church of England is sadly deficient. I know that I began preaching alone in the New Forest, and nobody ever told me what was right or wrong in the pulpit. The result was that the first year of my preaching was a series of experiments. We get no help in these matters at Oxford and Cambridge. The utter lack of any proper training for the pulpit is one great blot and defect in the system of the Church of England. 4. Above all, let us never forget that all the simplicity in the world is useless without prayer for the outpouring of the Holy Spirit, and the grant of God's blessing, and a life corresponding in some measure to what we preach. Be it ours to have an earnest desire for the souls of men, while we seek for simplicity in preaching the gospel of Jesus Christ, and let us never forget to accompany our sermons by holy living and fervent prayer!
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  • Guidelines for living.
    May 19th, 2026

    Here is the Thing About Jesus.

    And when the centurion, who stood there in front of Jesus, heard his cry and saw how he died, he said, “Surely this man was the Son of God!” Mark 15:39



    When he was asked who was the most influential person in his life, George Bush, who followed in his father’s footsteps as President of the United States, quickly responded, “Jesus Christ!” No, the answer hadn’t been designed to win friends and votes, because that answer also alienated him from some people who are avowed enemies of Jesus Christ. Bush, who at one time drank too much and had too few goals for his life, was introduced to the claims of Christ through personal contact with Billy Graham.

    Question: Would you also say that Jesus Christ is the most influential person in your life? Napoleon Bonaparte said, “Comparison is impossible between Him and any other human being who ever lived because He was the Son of God.” He may have been a better general than theologian, but in this appraisal, Napoleon was right on target, recognizing Him as “the Son of God.”

    If Jesus Christ was one of a kind, the unique fusion of both man and God, as the Bible clearly says, He is in a category of just one. When I wrote my book Heroes—People Who Have Made a Difference in Our World, an interviewer asked me why I hadn’t included a section on Jesus Christ. “Very simple,” I replied. “Jesus Christ isn’t on the same level with the courage shown by the men and women I wrote about. He’s in a class all by Himself!”

    Faced with the criticism of a skeptical intellectual community, C. S. Lewis decided to find out for himself who Jesus Christ was. His search was also intensified by the evils he saw in war as innocent people died, and the confusion of it all evoked the question, “If there is a God, why doesn’t He intercede in this madness and chaos which has engulfed our world?”

    Lewis never had a “Damascus Road” kind of conversion as did Saul long ago when a light shone from heaven and he heard the voice of Jesus. But as he studied the New Testament documents themselves, he gradually began to realize it makes more sense to accept and believe the story of God’s sending His son as a harmless infant than to offer any explanation of what happened.

    In his book Mere Christianity Lewis rebutted the position, “I’m ready to accept Jesus as a great moral teacher but not as the Son of God,” saying the following: “A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher. He would either be a lunatic—on a level with the man who says he is a poached egg—or else he would be the Devil of Hell. You must make your choice. Either this man was, and is, the Son of God; or else a madman or something worse. You can shut Him up for a fool, you can spit at Him and kill Him as a demon, or you can fall at His feet and call Him Lord and God. But let us not come up with any patronizing nonsense about His being a great human teacher. He has not left that open to us.”

    How put it any better?

    Someone had a sign painter portray an image of Christ as though He were looking directly into the eyes of those who traveled the busy highway. Underneath the painting was a challenge: “Now, it’s your move!” And as we come to the end of today’s commentary, that’s a fitting challenge to leave with you. Having confronted the claims of Christ’s unique position as God’s Son who loved you and gave Himself for you when He died on that cross, you have to decide: “Who is he?” Now, it’s your move! Indeed.


    Resource reading: Mark 15:1-47
    Guidelines for living. May 19th, 2026 Here is the Thing About Jesus. And when the centurion, who stood there in front of Jesus, heard his cry and saw how he died, he said, “Surely this man was the Son of God!” Mark 15:39 When he was asked who was the most influential person in his life, George Bush, who followed in his father’s footsteps as President of the United States, quickly responded, “Jesus Christ!” No, the answer hadn’t been designed to win friends and votes, because that answer also alienated him from some people who are avowed enemies of Jesus Christ. Bush, who at one time drank too much and had too few goals for his life, was introduced to the claims of Christ through personal contact with Billy Graham. Question: Would you also say that Jesus Christ is the most influential person in your life? Napoleon Bonaparte said, “Comparison is impossible between Him and any other human being who ever lived because He was the Son of God.” He may have been a better general than theologian, but in this appraisal, Napoleon was right on target, recognizing Him as “the Son of God.” If Jesus Christ was one of a kind, the unique fusion of both man and God, as the Bible clearly says, He is in a category of just one. When I wrote my book Heroes—People Who Have Made a Difference in Our World, an interviewer asked me why I hadn’t included a section on Jesus Christ. “Very simple,” I replied. “Jesus Christ isn’t on the same level with the courage shown by the men and women I wrote about. He’s in a class all by Himself!” Faced with the criticism of a skeptical intellectual community, C. S. Lewis decided to find out for himself who Jesus Christ was. His search was also intensified by the evils he saw in war as innocent people died, and the confusion of it all evoked the question, “If there is a God, why doesn’t He intercede in this madness and chaos which has engulfed our world?” Lewis never had a “Damascus Road” kind of conversion as did Saul long ago when a light shone from heaven and he heard the voice of Jesus. But as he studied the New Testament documents themselves, he gradually began to realize it makes more sense to accept and believe the story of God’s sending His son as a harmless infant than to offer any explanation of what happened. In his book Mere Christianity Lewis rebutted the position, “I’m ready to accept Jesus as a great moral teacher but not as the Son of God,” saying the following: “A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher. He would either be a lunatic—on a level with the man who says he is a poached egg—or else he would be the Devil of Hell. You must make your choice. Either this man was, and is, the Son of God; or else a madman or something worse. You can shut Him up for a fool, you can spit at Him and kill Him as a demon, or you can fall at His feet and call Him Lord and God. But let us not come up with any patronizing nonsense about His being a great human teacher. He has not left that open to us.” How put it any better? Someone had a sign painter portray an image of Christ as though He were looking directly into the eyes of those who traveled the busy highway. Underneath the painting was a challenge: “Now, it’s your move!” And as we come to the end of today’s commentary, that’s a fitting challenge to leave with you. Having confronted the claims of Christ’s unique position as God’s Son who loved you and gave Himself for you when He died on that cross, you have to decide: “Who is he?” Now, it’s your move! Indeed. Resource reading: Mark 15:1-47
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  • Guidelines for living
    October 31st, 2025

    Is There a Right Way to Pray?

    When Solomon had finished all these prayers and supplications to the LORD, he rose from before the altar of the LORD, where he had been kneeling with his hands spread out toward heaven. 1 Kings 8:54

    ​While the cross is unquestionably the universal symbol of redemption, Albrecht Dürer’s praying hands have become the symbol of prayer. The story, though, behind his creation, the creation of those praying hands, makes it even more poignant. Dürer was a German painter who had a friend who also was a painter, and though his friend worked hard, he never became famous. One day, Dürer, looking at the hands of his obscure friend, saw in his folded hands the embodiment of what prayer is about. Common, ordinary, unfulfilled men and women who are needy and poor in spirit, fold their hands in reverence and surrender and lift their hearts to God.

    “Put your hands together as you would in prayer,” he asked his friend.

    Yes, that is what he wanted. “I will draw them,” he said, “so that, as they have inspired me, they may inspire others also.”

    Praying hands speak for themselves. Interestingly enough, over 700 times the Bible mentions hands, and many of those passages speak of hands which were raised in prayer. Isaiah recorded God’s word which apparently reflected the fact that it takes more to impress God than hands upraised or folded in prayer, for God said, “When you spread out your hands in prayer, I will hide my eyes from you; even if you offer many prayers, I will not listen” (Isaiah 1:15).

    In the New Testament, Paul said, “I want men everywhere to lift up holy hands in prayer, without anger or disputing” (1 Timothy 2:8), but—are you ready for this? There is not a single reference in Scripture to clasping the hands reverently, as Dürer so beautifully portrayed them.

    In the home where I grew up was a picture of Jesus praying in the Garden of Gethsemane – which Luke tells us about in chapter twenty-two of his Gospel. Pictured in the little 5 x 7 print, surrounded by a narrow silver frame, Jesus is kneeling at a large rock in Gethsemane, a beam of light coming from heaven, and His hands are folded in prayer, just as Dürer pictures them.

    The legalist may be quick to point out that we can’t be sure Jesus’ prayer was accompanied by folded hands, but I can tell you one thing for certain, only those who are yielded and submissive ever bother to fold their hands in prayer and say with Jesus, “Not my will but thine be done.” So, what’s the big deal?

    Actually, the Bible tells us that different people prayed in different positions. Some prayed standing with their hands raised towards heaven, probably the posture Jesus most often used, which Jews still use today. At times, people prayed prostrated, their faces to the ground. Others prayed sitting or kneeling. The priest who recorded Solomon’s prayer at the dedication of the temple put it like this: “When Solomon had finished all these prayers and supplications to the LORD, he rose from before the altar of the LORD, where he had been kneeling with his hands spread out towards heaven” (1 Kings 8:54).

    I’m thinking of the tail gunner whose aircraft was badly hit by enemy fire. When he reported the damage to headquarters, he was asked, “What’s your position (meaning where are you)? Immediately he replied, “Kneeling.” So would I if I had become a target of enemy fire.

    James 5:16 says simply, “The prayer of a righteous man is powerful and effective.” Does God honor your prayers more when you fold your hands, kneel, prostrate yourself, or something else? No, not to my knowledge, but He does see your heart. I, for one, however, think we’ve lost something when we refuse to kneel before the Almighty or clasp our hands or raise them to the King of kings and Lord of lords.

    Resource reading: Luke 22:39-46
    Guidelines for living October 31st, 2025 ​ Is There a Right Way to Pray? When Solomon had finished all these prayers and supplications to the LORD, he rose from before the altar of the LORD, where he had been kneeling with his hands spread out toward heaven. 1 Kings 8:54 ​While the cross is unquestionably the universal symbol of redemption, Albrecht Dürer’s praying hands have become the symbol of prayer. The story, though, behind his creation, the creation of those praying hands, makes it even more poignant. Dürer was a German painter who had a friend who also was a painter, and though his friend worked hard, he never became famous. One day, Dürer, looking at the hands of his obscure friend, saw in his folded hands the embodiment of what prayer is about. Common, ordinary, unfulfilled men and women who are needy and poor in spirit, fold their hands in reverence and surrender and lift their hearts to God. “Put your hands together as you would in prayer,” he asked his friend. Yes, that is what he wanted. “I will draw them,” he said, “so that, as they have inspired me, they may inspire others also.” Praying hands speak for themselves. Interestingly enough, over 700 times the Bible mentions hands, and many of those passages speak of hands which were raised in prayer. Isaiah recorded God’s word which apparently reflected the fact that it takes more to impress God than hands upraised or folded in prayer, for God said, “When you spread out your hands in prayer, I will hide my eyes from you; even if you offer many prayers, I will not listen” (Isaiah 1:15). In the New Testament, Paul said, “I want men everywhere to lift up holy hands in prayer, without anger or disputing” (1 Timothy 2:8), but—are you ready for this? There is not a single reference in Scripture to clasping the hands reverently, as Dürer so beautifully portrayed them. In the home where I grew up was a picture of Jesus praying in the Garden of Gethsemane – which Luke tells us about in chapter twenty-two of his Gospel. Pictured in the little 5 x 7 print, surrounded by a narrow silver frame, Jesus is kneeling at a large rock in Gethsemane, a beam of light coming from heaven, and His hands are folded in prayer, just as Dürer pictures them. The legalist may be quick to point out that we can’t be sure Jesus’ prayer was accompanied by folded hands, but I can tell you one thing for certain, only those who are yielded and submissive ever bother to fold their hands in prayer and say with Jesus, “Not my will but thine be done.” So, what’s the big deal? Actually, the Bible tells us that different people prayed in different positions. Some prayed standing with their hands raised towards heaven, probably the posture Jesus most often used, which Jews still use today. At times, people prayed prostrated, their faces to the ground. Others prayed sitting or kneeling. The priest who recorded Solomon’s prayer at the dedication of the temple put it like this: “When Solomon had finished all these prayers and supplications to the LORD, he rose from before the altar of the LORD, where he had been kneeling with his hands spread out towards heaven” (1 Kings 8:54). I’m thinking of the tail gunner whose aircraft was badly hit by enemy fire. When he reported the damage to headquarters, he was asked, “What’s your position (meaning where are you)? Immediately he replied, “Kneeling.” So would I if I had become a target of enemy fire. James 5:16 says simply, “The prayer of a righteous man is powerful and effective.” Does God honor your prayers more when you fold your hands, kneel, prostrate yourself, or something else? No, not to my knowledge, but He does see your heart. I, for one, however, think we’ve lost something when we refuse to kneel before the Almighty or clasp our hands or raise them to the King of kings and Lord of lords. Resource reading: Luke 22:39-46
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  • St. Luke

    St. Luke is the author of the Gospel of Luke. The Gospel written by Luke is considered as the loveliest book in the world. Luke was a painter and a painting of Mother Mary said to have been painted by St. Luke is still in a cathedral. He was the only Gospel writer who was not a Jew. He was also a medical practitioner. There is a saying that a minister sees men as their best, a lawyer sees men at their worst and a doctor sees men as they are. He says in the beginning of the Gospel that his work (gospel) is the product of a most careful research. He quotes the Old Testament very rarely in his gospel. Luke traces the descent of Jesus to Adam, the founder of human race and not to Abraham, the founder of Jewish race, as Mathew did in his gospel. Luke gave much importance to women in his gospel like Elizabeth, Martha, Mary and Mary Magdalene. Luke alone tells the parable of the Good Samaritan. The one grateful leper who returned to thank Jesus after cured by him was also a Samaritan. In his gospel alone we read the immortal story of the prodigal son and his loving father. The gospel of Luke is the best life of Jesus Christ ever written. He was in prison for about two years with St. Paul. Christianity is ever indebted to St. Luke for the best researched life of Jesus Christ given in his gospel.

    St. Luke is the author of the Gospel of Luke. The Gospel written by Luke is considered as the loveliest book in the world. Luke was a painter and a painting of Mother Mary said to have been painted by St. Luke is still in a cathedral. He was the only Gospel writer who was not a Jew. He was also a medical practitioner. There is a saying that a minister sees men as their best, a lawyer sees men at their worst and a doctor sees men as they are. He says in the beginning of the Gospel that his work (gospel) is the product of a most careful research. He quotes the Old Testament very rarely in his gospel. Luke traces the descent of Jesus to Adam, the founder of human race and not to Abraham, the founder of Jewish race, as Mathew did in his gospel. Luke gave much importance to women in his gospel like Elizabeth, Martha, Mary and Mary Magdalene. Luke alone tells the parable of the Good Samaritan. The one grateful leper who returned to thank Jesus after cured by him was also a Samaritan. In his gospel alone we read the immortal story of the prodigal son and his loving father. The gospel of Luke is the best life of Jesus Christ ever written. He was in prison for about two years with St. Paul. Christianity is ever indebted to St. Luke for the best researched life of Jesus Christ given in his gospel.
    St. Luke St. Luke is the author of the Gospel of Luke. The Gospel written by Luke is considered as the loveliest book in the world. Luke was a painter and a painting of Mother Mary said to have been painted by St. Luke is still in a cathedral. He was the only Gospel writer who was not a Jew. He was also a medical practitioner. There is a saying that a minister sees men as their best, a lawyer sees men at their worst and a doctor sees men as they are. He says in the beginning of the Gospel that his work (gospel) is the product of a most careful research. He quotes the Old Testament very rarely in his gospel. Luke traces the descent of Jesus to Adam, the founder of human race and not to Abraham, the founder of Jewish race, as Mathew did in his gospel. Luke gave much importance to women in his gospel like Elizabeth, Martha, Mary and Mary Magdalene. Luke alone tells the parable of the Good Samaritan. The one grateful leper who returned to thank Jesus after cured by him was also a Samaritan. In his gospel alone we read the immortal story of the prodigal son and his loving father. The gospel of Luke is the best life of Jesus Christ ever written. He was in prison for about two years with St. Paul. Christianity is ever indebted to St. Luke for the best researched life of Jesus Christ given in his gospel. St. Luke is the author of the Gospel of Luke. The Gospel written by Luke is considered as the loveliest book in the world. Luke was a painter and a painting of Mother Mary said to have been painted by St. Luke is still in a cathedral. He was the only Gospel writer who was not a Jew. He was also a medical practitioner. There is a saying that a minister sees men as their best, a lawyer sees men at their worst and a doctor sees men as they are. He says in the beginning of the Gospel that his work (gospel) is the product of a most careful research. He quotes the Old Testament very rarely in his gospel. Luke traces the descent of Jesus to Adam, the founder of human race and not to Abraham, the founder of Jewish race, as Mathew did in his gospel. Luke gave much importance to women in his gospel like Elizabeth, Martha, Mary and Mary Magdalene. Luke alone tells the parable of the Good Samaritan. The one grateful leper who returned to thank Jesus after cured by him was also a Samaritan. In his gospel alone we read the immortal story of the prodigal son and his loving father. The gospel of Luke is the best life of Jesus Christ ever written. He was in prison for about two years with St. Paul. Christianity is ever indebted to St. Luke for the best researched life of Jesus Christ given in his gospel.
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  • I am called to visualize His Works through Painting, follow and support the works for our Lord, He alone deserves all praise and worship.
    As Indonesian are going through a lot of struggle financiallu, I appreciate all kinds of prayer and support for this works

    #kingsgallery
    #painter
    #painting
    #Jesus
    I am called to visualize His Works through Painting, follow and support the works for our Lord, He alone deserves all praise and worship. As Indonesian are going through a lot of struggle financiallu, I appreciate all kinds of prayer and support for this works #kingsgallery #painter #painting #Jesus
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  • A Christian Painter..lover of scriptures
    A Christian Painter..lover of scriptures
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  • Incontro speciale del 3 maggio 2025 - Stefania Innamorati, pittrice e scrittrice cristiana, presenta il suo ultimo libro sulla missione della coppia nel piano di Dio.

    Special meeting of May 3, 2025 - Stefania Innamorati, Christian painter and writer, presents her latest book on the mission of the couple in God's plan.
    Incontro speciale del 3 maggio 2025 - Stefania Innamorati, pittrice e scrittrice cristiana, presenta il suo ultimo libro sulla missione della coppia nel piano di Dio. Special meeting of May 3, 2025 - Stefania Innamorati, Christian painter and writer, presents her latest book on the mission of the couple in God's plan.
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  • Holy Shadows: When God Moves in the Background of Your Life

    Some moments steal your breath away—the grandeur of a sunset, the hush of snowfall, the vastness of the night sky. But there’s another kind of wonder, quieter and more powerful: the unseen hand of God, working in the shadows of your life, weaving miracles where you least expect them.

    Not all glory comes wrapped in thunder and fire. Some of God’s greatest works unfold in the places we never thought to look. While we ache, while we wait, while we wonder if He hears us—He is moving. He is shifting unseen heavens. He is writing a story beyond our imagination.

    And when the moment comes, when the curtain is pulled back and we finally glimpse the masterpiece He has been forming in the quiet places—oh, what a wonder it is.

    A God Who Paints with Shadows

    Think about the most breathtaking paintings in history. Light alone does not make them powerful. It is the contrast, the depth, the interplay of light and shadow that brings them to life. A masterpiece without shadows is flat, without dimension.

    And so it is with our lives.

    We long for constant sunshine, for an unbroken path of clarity and joy. But God, the Master Artist, knows that beauty is not found in the absence of shadows, but in their purpose.

    Look at Joseph, tossed into a pit, forgotten in a prison, left to wonder if the dreams God whispered in his youth were nothing more than illusions. In the darkness of his suffering, something was being shaped—positioning him for a future he never could have imagined.

    Then, one day, as he stood robed in the authority of Egypt, his brothers bowing before him, it all made sense.

    "You intended to harm me, but God intended it for good…" (Genesis 50:20)

    Every betrayal, every tear, every lonely night—it had not been for nothing. It had been the very brushstrokes of a divine masterpiece.

    And Esther, a young Jewish girl plucked from obscurity and placed in a foreign king’s palace, never knowing that her very existence was part of a divine setup. She could have dismissed her story as random, an accident of history. But when her people faced annihilation, the truth was revealed.

    "Who knows but that you have come to your royal position for such a time as this?" (Esther 4:14)

    The long nights of waiting, the years of wondering, the moments where she must have asked, Why am I here?—it had all been God’s hand at work, arranging the pieces of something much greater.

    The Shadow You’re Standing In Now

    Maybe right now, you feel like you're walking in shadows. You’ve prayed, but heaven seems silent. You’ve trusted, but the road ahead is unclear.

    What if this moment isn’t an absence of God, but the place where He is working most deeply?

    A seed buried in the ground does not see the sun, but it is not forgotten. It is growing in the unseen, pushing through the soil until, in the right season, it breaks forth in beauty.

    What if your life is in that hidden phase?

    What if the very thing you are calling an unanswered prayer is actually a divine setup?

    What if the closed doors, the delays, the detours, are not signs of His absence, but proof of His presence?

    When the Shadows Break

    There will come a moment when you look back on this season—the nights you spent weeping, the days you spent wondering—and you will see what He was doing all along.

    One day, you will stand in a moment so overwhelming, so perfect in its orchestration, that your only response will be awe.

    And you will whisper through tears, He was here the whole time.

    Because this is the God we serve.

    The One who moves in mystery.
    The One who writes with hidden ink.
    The One who, in the fullness of time, turns shadows into breathtaking light.

    The cross itself—the darkest moment in history—was the very place where eternity’s greatest victory was won. The world saw suffering, but heaven saw salvation. The grave looked like an ending, but it was only the beginning.

    And so it is with you.

    A Holy Invitation

    God is not absent from your story.

    He is not careless with your pain.

    He is not indifferent to your waiting.

    He is the unseen thread in the tapestry, the quiet whisper in the storm, the painter adding depth where you only see darkness.

    And when the moment comes—when the pieces align, when the shadows fade, when His purpose bursts into the light—you will know.

    You will fall to your knees, undone by the beauty of what He has done.

    And you will say:

    "Surely the Lord was in this place, and I did not know it." (Genesis 28:16)

    You are not alone in the shadows.

    You are standing in the masterpiece of God.

    Holy Shadows: When God Moves in the Background of Your Life Some moments steal your breath away—the grandeur of a sunset, the hush of snowfall, the vastness of the night sky. But there’s another kind of wonder, quieter and more powerful: the unseen hand of God, working in the shadows of your life, weaving miracles where you least expect them. Not all glory comes wrapped in thunder and fire. Some of God’s greatest works unfold in the places we never thought to look. While we ache, while we wait, while we wonder if He hears us—He is moving. He is shifting unseen heavens. He is writing a story beyond our imagination. And when the moment comes, when the curtain is pulled back and we finally glimpse the masterpiece He has been forming in the quiet places—oh, what a wonder it is. A God Who Paints with Shadows Think about the most breathtaking paintings in history. Light alone does not make them powerful. It is the contrast, the depth, the interplay of light and shadow that brings them to life. A masterpiece without shadows is flat, without dimension. And so it is with our lives. We long for constant sunshine, for an unbroken path of clarity and joy. But God, the Master Artist, knows that beauty is not found in the absence of shadows, but in their purpose. Look at Joseph, tossed into a pit, forgotten in a prison, left to wonder if the dreams God whispered in his youth were nothing more than illusions. In the darkness of his suffering, something was being shaped—positioning him for a future he never could have imagined. Then, one day, as he stood robed in the authority of Egypt, his brothers bowing before him, it all made sense. "You intended to harm me, but God intended it for good…" (Genesis 50:20) Every betrayal, every tear, every lonely night—it had not been for nothing. It had been the very brushstrokes of a divine masterpiece. And Esther, a young Jewish girl plucked from obscurity and placed in a foreign king’s palace, never knowing that her very existence was part of a divine setup. She could have dismissed her story as random, an accident of history. But when her people faced annihilation, the truth was revealed. "Who knows but that you have come to your royal position for such a time as this?" (Esther 4:14) The long nights of waiting, the years of wondering, the moments where she must have asked, Why am I here?—it had all been God’s hand at work, arranging the pieces of something much greater. The Shadow You’re Standing In Now Maybe right now, you feel like you're walking in shadows. You’ve prayed, but heaven seems silent. You’ve trusted, but the road ahead is unclear. What if this moment isn’t an absence of God, but the place where He is working most deeply? A seed buried in the ground does not see the sun, but it is not forgotten. It is growing in the unseen, pushing through the soil until, in the right season, it breaks forth in beauty. What if your life is in that hidden phase? What if the very thing you are calling an unanswered prayer is actually a divine setup? What if the closed doors, the delays, the detours, are not signs of His absence, but proof of His presence? When the Shadows Break There will come a moment when you look back on this season—the nights you spent weeping, the days you spent wondering—and you will see what He was doing all along. One day, you will stand in a moment so overwhelming, so perfect in its orchestration, that your only response will be awe. And you will whisper through tears, He was here the whole time. Because this is the God we serve. The One who moves in mystery. The One who writes with hidden ink. The One who, in the fullness of time, turns shadows into breathtaking light. The cross itself—the darkest moment in history—was the very place where eternity’s greatest victory was won. The world saw suffering, but heaven saw salvation. The grave looked like an ending, but it was only the beginning. And so it is with you. A Holy Invitation God is not absent from your story. He is not careless with your pain. He is not indifferent to your waiting. He is the unseen thread in the tapestry, the quiet whisper in the storm, the painter adding depth where you only see darkness. And when the moment comes—when the pieces align, when the shadows fade, when His purpose bursts into the light—you will know. You will fall to your knees, undone by the beauty of what He has done. And you will say: "Surely the Lord was in this place, and I did not know it." (Genesis 28:16) You are not alone in the shadows. You are standing in the masterpiece of God.
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